Folksinger and songwriter KATE CAMPBELL is coming to Alabama to lead a class on Songwriting during March (21-23) as part of a weekend school on writing. If you write lyrics, always wanted to, are a performer who tours or just somebody whose been writing songs in the basement for twenty yearsa and never had the courage to sing one in front of anyone, you might enjoy coming to the Alabama Folk School’s latest offering, “WORDS, WORDS, WORDS.” The Alabama Folk School is a lovely new place to go and learn about crafts and arts of all kinds—playing the mandolin or quilting. And now, songwriting and the written and spoken word.
OK, the Grammys are over. And I didn’t watch. I am not a sourpuss who needs to pour water on people who want to make millions of dollars dressed as French mimes from Venus. Free world, have at it. I like most music, but not all. Again, your right. But me? I like making music more than buying it. I like crafting, thinking about it, playing with friends, encouraging others. I like singing with my Dad whenever we’re together. Singing in church. Singing with our band, but I like practicing even more. I love writing songs. I love learning about it, crafting, exploring something until it is “finished” (which is the hardest part—letting baby leave home!). And the best way to grow in your craft is to be around others.
The weekend event will offer a class on writing and one on songwriting. No prior knowledge or expertise is necessary, just interest. I’m sure the place will be full of people with guitars and notebooks, jamming, telling stories and swapping ideas. Maybe you have words and want to meet people with a head full of tunes. Or vice versa.
The weekend is NOT a competition for “greatest songwriter on earth.” It is a community to encourage everyone to
find their voice and grow in their skill.
There will also be a sonn-to-be announced instructor for a writing class the same weekend.
Last night, I went to hear JIM HURST, IBMA (International Bluegrass Music Association) Guitarist of the Year. That means he is a fast-pickin’ guy. “Bluegrass,” like few other labels, can lock you in. The people who love and adore it who are more on the “traditional” side (Has to be like Bill Monroe and Earl Scruggs played it or it ain’t bluegrass) will leave you for growing, experimenting and deviating. The rest of the music listening world (Country, whatever that is anymore, sheesh!), folk, indie, etc. is disinterested because they never get beyond stereotypes like “Deliverance” and the Beverly Hillbillies. Read the rest of this entry