Category Archives: Music

Lenten Speaker Series Continues: Kate Campbell

Last evening, we kicked off our series, “The Callings That Find Us,” with Dr. Danny Potts.  An overflow crowd filled the room and was not disappointed as he shared his personal journey with brokenness and new life through his father’s long battle with Alzheimer’s disease.  It was inspiring and so helpful to all who were there.

Next Wednesday we welcome folksinger Kate Campbell. Kate is a favorite singer-songwriter for many.  She is a storyteller and singer with a unique voicrockcitye that blends faith, justice and humanity in her writing and singing.  Growing up in the south as the daughter of a Baptist preacher, Kate’s formative years were spent in the very core of the Civil Rights Movement of the 1960’s, and those years left a mark on her.  

Her Two Nights in Texas CD received the prestigious Mississippi Institute of Arts & Letters Award. Ballet Memphis featured several tunes from her song catalog as well as a live performance by Kate and band at a ballet entitled South Of Everywhere. Three of Kate’s songs (“Ave Maria Grotto,” “William’s Vision,” and “Fordlandia”) were recently featured in documentary films.  A variety of artists have recorded Campbell’s songs including Laurie Lewis, Missy Raines, Ronnie McDowell, and the Nashville Bluegrass Band who covered her compelling snake-handling song “Signs Following.”

Campbell has played the prestigious Cambridge Folk Festival (England), Merlefest, Philadelphia Folk Festival, and Port Fairy Folk Festival (Australia), been featured on National Public Radio’s Morning Edition, All Things Considered, Live From Mountain Stage, and had her story (and haunting song “When Panthers Roamed In Arkansas”) included in the debut issue of The Oxford American’s ultra-hip Southern Music series. Kate’s latest release Damn Sure Blue, a heart-felt collection of tunes that pays a respectful nod of admiration to the Man in Black and reverberates with the soulful sounds of award-winning Americana guitar whiz and producer Will Kimbrough.

Kate lives in Nashville with her husband, Ira, a minister a

PR Lent

The Callings That Find Us: Lenten Speaker Series

PR LentIn March, our church will welcome a special Lenten time of renewal with a series of Wednesday night speakers entitled, “The Callings That Find Us.”  Our speakers share Christian faith but come from a variety of backgrounds and stories to share their faith journeys—how they

came to Christian faith, how that has lived out, and the unexpected turns that have taken them to new places in their discipleship.  What is the calling that ”found you” along the way of following Christ in that journey?  This series will be open to the public as well and you are encouraged to invite friends to come and hear an exciting series of presentations.

March 13, 2019       

“The Faces That Change Us: A Neurologist’s Experience With Dementia”

Dr. Daniel Potts

Dr. Daniel Potts  is a neurologist, author, educator, and champion of those living with Alzheimer’s disease and other dementias and their care partners. Selected by the American Academy of Neurology as the 2008 Donald M. Palatucci Advocate of the Year, he also has been designated an Architect of Change by Maria Shriver. Inspired by his father’s transformation from saw miller to watercolor artist in the throes of dementia through person-centered care and the expressive arts, Dr. Potts seeks to make these therapies more widely available through his foundation, Cognitive Dynamics. Additionally, he is passionate about promoting self-preservation and dignity for all persons with cognitive impairment. He lives with his wife and two daughters in Tuscaloosa, Alabama.

March 20, 2019          “Wonders Along the Way”                   Kate Campbell 

 Singer/Songwriter Kate Campbell has since put together a considerable body of work. Originally from the Mississippi Delta and the daughter of a Baptist preacher, Kate’s formative years were spent in the very core of the Civil Rights Movement of the 1960’s, and the indelible experiences of those years have shaped her heart and character as well as her songwriting. Her music and songs continue to inspire and excite a growing and engaged audience. A variety of artists have recorded Campbell’s songs and she has performed widely, including at the prestigious Cambridge Folk Festival (England), Merlefest, Philadelphia Folk Festival, and on National Public Radio’s Morning Edition, All Things Considered, Live From Mountain Stage. Kate lives in Nashville with her husband, Ira, a minister and chaplain.

April 3, 2019         

“Ending Hunger:  A Redeemed Hope for Feeding the World”    Dr. Jenny Dyer               

Dr. Jenny Dyer is the Founder of The 2030 Collaborative. As such, she directs the Faith-Based Coalition for Healthy Mothers and Children Worldwide with support from the Bill & Melinda Gates Foundation and the Faith-Based Coalition for Global Nutrition with support from the Eleanor Crook Foundation.  Dyer teaches Global Health Politics and Policy as a Lecturer in the Department of Health Policy at Vanderbilt School of Medicine, and she has taught Religion and Global Health at Vanderbilt School of Divinity.  Dyer formerly worked with Bono’s ONE Campaign, Bono’s organization, from 2003-2008 to promote awareness and advocacy for extreme poverty and global AIDS issues.  She is an author and frequent contributor in the media. She lives in Franklin, Tennessee with her husband, John, and two boys, Rhys and Oliver.

April 10, 2019                        “Closing the Distance”    Dan Haseltine

Dan Haseltine is the Lead singer/Primary songwriter for the 3x GRAMMY™ winning band, Jars of Clay.  Dan has written 17 #1 radio singles, received multiple BMI Song of the Year Awards, and National Songwriting Association’s highest honors. He is a Producer, Film/Television composer, and Music Supervisor.  Dan is the Founder of non-profit organization, Blood:Water, celebrating 15 years of supporting local solutions to the clean water and HIV/AIDS crises in Southern and Eastern Africa.  Blood:Water has helped more than 1 million people gain access to clean water, sanitation, hygiene training and community health support.  Dan lives in Franklin, TN with his wife, Katie and 2 sons, Noah(18), and Max(15) and two dogs… Gracie and Coco.  Dan is also a columnist, advocate, and thought leader surrounding the work of extreme poverty reduction, and international development

Come, Ye Sleepers: A Hymn for Time Change Sunday

It’s time change Sunday agaiu.  We “Spring Forward” (move clocks forward one hour) just as in the fall we “fall back,” as in move them back an hour. We spend an inordinate amount of time dreading, hating and complaining about the changes. It’s fairly well known that it messes up our sleep patterns, too.

According to the website, LiveScience, it was Ben Franklin that first came up with the notion. The Germans were the first to do it, during the first World War. Woodrow Wilson and FDR also followed in wartime, to save fuel and economize. They also point out that today only forty countries follow it.  Farmers, contrary to the myth, hate it because they lose early daylight.

All that said, we in the churches would have to say we dislike it the most. It does not change during the Super Bowl. It does not change during the NBA Finals or the opening bell on Wall Street. No, it changes just before we are trying to raise the dead for Sunday morning worship. Priorities, I say. Our choir email included a clever hymn text about time change, which inspired me to write my own. I hope that it may ease thy misery by turning it into song.  Rise, O Sleepers.

Come, Ye Sleepers

20130323_110539

Gary Allison Furr

Come, ye sleepers, don’t roll over,

Change thy clocks and get thee up

Time change isn’t aimed at business

It’s worship drinks the bitter cup.

 

Come ye slackers prone to snooze on

Lounging in your terrycloth

Get ye up and out the front door

What sprang forward is now lost.

 

Worry not about thy news shows

Twenty four and seven they run

DVR can save thy programs

There is nothing new beneath the sun.

 

Put thy Sunday raiment on thee

Hear the choir and the holy truth

Thus thou need not hide when eating

When the pastor sits behind thy booth

 

RESTORATION  Walker’s Southern

Remembering Martin Luther King

Fifty years ago this week, Martin Luther King’s life was frozen in time for the whole world. His words keep living, his story keeps being told, and the events of his life are examined again and again.  It is not that time any more. The pain is more diffuse, spread into new struggles for equality and justice.

It is worth marking the remarkable changes that have happened in that fifty years. We can go to any restaurant and drink from the same fountains. A lot of things are better, much better. But the pain he saw is still in the world–the pain of something not finished, a hope not yet realized, a brokenness needing mending.

The deepest wounds heal from the inside out, and only with the greatest of care. There will be setbacks and infections and discouragements, but there is still much reason to hope and keep trying.

I once attended the Unity Breakfast on Martin Luther King day here in Birmingham and heard Diane McWhorter, whose book Carry Me Home  recounts the impact of those momentous days of the Civil Rights struggle on the world.  Whenever someone “remembers” how something was, it invites us to remember it from where we were at the time. I remember the civil rights era in the South, but it was not from the vantage point of an adult in the middle of Big Issues, but as a child growing up in the South.

I remember going on a hot Sunday afternoon with my father to the home of an employee.  She happened to be African American.  Her family member had been killed in a train accident, and my father believed that the proper and respectful thing to do was to go by to see the family.

I remember waiting in the car while he went in, a little boy watching out the window to see people who also lived in Clarksville, Tennessee, but a very different Clarksville than the one in which I lived.  I had never noticed that their children didn’t go to school where I did, or that we never ate in the same restaurants, or that we barely came across one another.  This separation  made my trip all the more startling.  It was as though I had stumbled onto a hidden cave where an entire civilization hitherto unknown to me had taken residence.

I watched people come and go, just like in my community, bringing food, dabbing their eyes, dressed in their finest.  Men tugging at their collars in the hot summer air opened the door for their wives in hats to go in with the bowl or dish.  It was impressive, this little world to which I did not belong.  People laughing, people smiling, people crying, just like us.  But not with us.

I took in the strangeness, but something stirred even deeper in me.  I saw my father speaking to them, as he did to everyone, with respect and courtesy and manners.  I hear people telling tales from the sixties about marching and protesting.  I have no tales like those.  I was young and oblivious to the invisible walls of separation.  But I do remember my father treating everyone the same, kindly, decently.  His employees seemed to think they all counted the same with him.  He never lost his temper that I knew of, or swore or cursed at people.  Just treated them alike.

My examples were different from those dramatic and provocative ones.  My family mostly watched the struggle on nightly television with the rest of the world.  We worried, shook our heads, weren’t too sure how it would go.  We were not allowed, though, to use epithets and inflammatory words about other races.

It takes struggle and often conflict for change to begin.  But there is also the task of taking change in and absorbing it, making it livable and practical and something that can happen every day without incident.  It is one thing to change laws.  It is another to elicit the consent of people to those laws.  And quite another to live out their spirit every day. It means using words carefully, for the purpose of telling truth, not perpetuating our own version of it.

The whole world was changing before my eyes, in ways I did not understand and would not understand, but the example of my father’s kindness did sink deep in me.  And I wonder about the eight year old boys and girls among us.  What are they seeing?  How are we doing?  Is there something impressive enough in the way we are living life to sink deep in their souls and stay with them until they are adults?

In something as simple and apparently random as going by someone’s house to pay respects, in doing what is decent and right and good, you may be causing a quiet revolution in someone who is watching not only what you do, but how you do it.  Someone is watching, always.  So write the script you want remembered.  It will live on after you for a long time, for good or for evilI was one of those little white children that Martin Luther King dreamed about.

So I am going to do every little thing I can to not be afraid, to make friends, to pay my respects, and teach my children and grandchildren that there’s room for everyone at God’s table.  Everyone.

I remember those times with a song I did on my first CD, “Lorraine.”  It was inspired by my first visit to the Civil Rights Institute in Memphis, which ends at the balcony where Dr. King was murdered by fear and hate.  But I like to remember what outlives fear and hate: hope and kindness and the hope of a better day.

Buy the song here

 

Lorraine

Gary Furr

An unfinished cup of coffee

By an unmade bed

Near the concrete balcony

Where a man of God is dead

Looking through an old window

See the painful past

Forever frozen at the last

Down the corridors of time

Different town, same old sign

Still bearing all the pain

In the halls of the old Lorraine
 

The sound of women weeping

The trickle of my tears

Join the moan of gospel singing

Wailing hope amid the fears

Looking through new windows

for possibilities

In spite of everything we still believ

 

Down the corridors of time

Different town, same old sign

Still bearing all the pain

In the halls of the old Lorraine

 

Driving through the city

With memories of that place

In that part of town that’s really gone down

I lock the door just in case

Looking through my car window

At a man who looks back at me

After all we’ve been through, we still can’t see.

Down the corridors of time

Different town, same old sign

Still bearing all the pain

In the halls of the old Lorraine

 

Start Young

If you don’t know who Ricky Skaggs is, then you really don’t know anything about bluegrass and old-time music. It’s important to distinguish those two terms. “Bluegrass” technically didn’t exist before the 1940s. It was literally invented as a form by Bill Monroe, recasting the traditional old time music of his Kentucky and Appalachian roots with a new sound built around his unique mandolin playing. The mandolin took a new role as a centerpiece performing lead instrument in

Ricky Skaggs and Bill Monroe

Monroe’s vision. He was truly a unique American music phenomenon.

Monroe inspired an entire generation of musicians and his influence lives on in all the varieties of bluegrass, newgrass, swing, jazz and a hundred other variations of playing involving the mandolin, but no one has embodied that variety more than a kid from Kentucky named Ricky Skaggs. His father started him out with a mandolin around age 6 and before he was out of his teens, he played on stage with Monroe himself, with childhood buddy Keith Whitley, Flatt and Scruggs and toured with the Stanley Brothers.

Bluegrass and its predecessor, the “old time” music, that was originally the dance music and music played in homes and small communities of the South that had traipsed across the Atlantic from the border regions of Scotland through Ulster and Ireland as immigrants to the New World, settling in the mountains of the South. They brought with them the instruments of their folk music, and it underlay their common life for generations.  Like all immigrants, their music was a powerful identity that helped buffer them against the hardships of fitting into a new and strange country that did not always want them.

Like all people, the love for their children motivated their work, way of life, and the sharing of their music. Today, like few other music forms, you will see men in their eighties at a bluegrass festival sitting in a circle jamming with teenagers strumming guitars and 6 year old fiddle and mandolin players. Ricky Skaggs was one of those children.

It gives hope to look at our children and imagine what they might do. They are not jaded yet by our own deep prejudices and ignorant opinions

about “how it is.” So today, I share this video I came across of little RIcky Skaggs, age seven, playing on television with Lester Flatt and Earl Scruggs. Teach your children well. And maybe their elder’s failures will give way to something wonderful, unexpected and new.

Doesn’t conflict at this moment in Lent to me at all, when we are wringing hands, troubled in mind, struggling with hope and anxious to the gills, to pick up my mandolin at home, play a tune, and feel something lift out of the room. Wherever that sound came from (and as a man of faith, I think I know), it says, “There’s still something unexpectedly beautiful up ahead. Go on, and don’t give up.” If you don’t know any seven year olds, I suggest you enlarge your life and bit, get out of yourself, and look for hope in the strings and paintings and delightful voices of the young.

Abide With Me

Henry Francis Lyte was an Anglican priest who originally intended to be a doctor, but then entered the ministry. He was a prize-winning poet during his university years, and best known for his elegant hymn, “Abide With Me.” He continued to write religious poetry through his life.  He was born in 1793 and died when he was only fifty-four years of age. The first verse captures a transcendent and haunting mood:

“Abide with me; fast falls the eventide;

The darkness deepens; Lord, with me abide.

When other helpers fail and comforts flee,

Help of the helpless, O abide with me.”

 

It is uncertain when he penned this text. It has been connected to the death of a fellow  clergyman, of which he said

“I was greatly affected by the whole matter, and brought to look at life and its issue with a different eye than before; and I began to study my Bible, and preach in another manner than I had previously done.”[1]

Regardless, it’s reflective and somber tone nearly always takes me to a melancholy mood. It is often sung at funerals.  In one of the eight original verses is the line  “Change and decay in all around I see.”

Ian Bradley, a leading scholar of Victorian hymns, names his book on this subject, Abide with Me: The World of Victorian Hymns. He notes, “John Bell, the leading contemporary Scottish hymn writer, has pointed to the damage done to the cause of reform and moving on in the life of churches by the deadening effect of [this line] from ‘Abide with me.’”[2]

Nevertheless, the end of life is a serious and inevitable matter. In the ministry, we deal with it all the time. There are other things to talk about in life, joys and pleasures, work, goodness and family. We cannot long live in the valley of the shadow. But when it comes, it is good to know that we are not there alone.

Our church sits atop a mountain, a beautiful garden behind the sanctuary perched on the edge, looking out across the southern suburbs of Birmingham. It is a view that invites meditation and deep thoughts. Once, while there with a friend, a retired missionary and a man of great kindness and compassion, I asked what he was thinking about. He pointed to the hospital below, in the valley. “I was just thinking about all the human suffering contained in that place, every single day, and that Christ dwells with them there.”

That, at its best, is what faith can do. Today, while my own dear mother is taking her second chemo for stage IV cancer, I pray for her and for the millions every day who make the journey along the cliffs of suffering and disease. Perhaps these lines sit well here for us all:

When other helpers fail and comforts flee,

Help of the helpless, O abide with me.”

LISTEN to the Mormon Tabernacle Choir sing Abide with Me, arr. Mack Wilberg.

 

 

[1] Darrell St. Romain, “History of Hymns: Abide with Me” https://www.umcdiscipleship.org/resources/history-of-hymns-abide-with-me

 

[2] St. Romain.

Down in Bethlehem

Today I am beginning a series of blogs about songs, more specifically songs I have written. I want to write a little about their “births,” as for me, songs are like children, or at least like the ugly ash tray I made out of clay at camp. They are mine, they mean something to me, and I still love singing them. Today, I’ll start with the first cut on my new album, “Down in Bethlehem.” I actually came up with the idea while writing a sermon, I guess it was during Advent of 2015. It’s a bit weird, really, to think of a third of humanity gathering every week to reflect on a two thousand year old set of texts, but in a time when we obsess over the latest thing, it’s a little comforting to me that we can mull over the same writing again and again, and like some prism being slowly turned in daylight, new colors of insight come.

I was struck by the commonality of the major stories about Bethlehem, that of Ruth, a Moabite widow who came as a foreigner immigrating back to her husband’s home’ David, the youngest of eight, who was selected by the prophet Samuel to replace Saul as king, and Jesus, born to a young couple shrouded in unimportance.  Again and again, in the Bible, God “chooses” to work with the “Most Likely Not to Be Chosen.” First I wrote a short poem to use in the sermon, then was haunted by it until this song came.

I was thinking about U2, Springsteen, music that is simple, driving, repetitive and building over time. Brent Warren does some really fine electric guitar work on this cut.  Take a listen and enjoy!  BUY or listen to it here. It still is true, I believe, that hope is a powerful and inexplicable reality, one that rises up unexpectedly and in the most unpromising of moments. That is when I suspect God might be up to something.  (see Ruth, 1 Samuel 16, Matthew 2 for the stories behind the song).  I’ve posted the whole song on my website for a week or so.  https://www.reverbnation.com/garyfurrmusic

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Uncle Vance’s Guitar

 Writing songs started for me at age 16. I have been singing, though, all my life. I sang in church, hummed to myself, started plucking guitar and piano and anything else with strings. Somehow marrying melody with words came naturally. I would memorize tunes and never forget them. So it was not completely foreign to me when I started trying to do it intentionally. I have so enjoyed in recent years the experience of learning, crafting, writing and performing original songs.

In recent years, I have completed three CDs.  My first was permanent world of pretend, the second was Overload of Bad News Blues and the third was What it Is. Recently I remastered the second and third one and re-did the artwork.  They are now available on CD Baby for purchase and download.  A few weeks ago, though, I finished my newest, four years in the writing and “trying out.” It’s titled Uncle Vance’s Guitar and it centers around the title cut, based on the story of a guitar that’s been in my family. My dad and his brothers all played and sang, and Uncle Vance had a turn playing with a well-known North Carolina performer, J. E. Maynor in the 1940s.  The song is about him, and about how music is a way to express and bear our lives.  I hope you’ll take a listen!

Last Thursday, I had an official CD release concert in Birmingham at Moonlight on the Mountain.  My good friend and fellow songwriter Keith Elder opened for me. I was joined by a very talented group of friends and supporting musicians, Brent Warren on guitars and mandolin, Don Wendorf on mandolin, banjo, drums and harmonica, Rachel Turner on bass and vocals, Mark Weldon on fiddle, and my Shades Mountain Air bandmates Nancy Womble and Melanie Rodgers were special guest artists, stepping up for some extra good work on a couple of songs.

A great crowd turned out, and now the CD is available for purchase. You can get downloads online at CD Baby by clicking here Uncle Vance’s Guitar but if you’re a CD buyer, you can order direct from me and I’ll put it in the mail to you.    The cost is $9.99 plus $3.63 for shipping.  I’ll bill you by email!  Just contact me below!

Lessons From the Waiting Room

This morning, I pulled on my clothes at 5:30 am and headed to the hospital to be with a member going into surgery. It took me back to August of 2001 when my “baby” sis had breast cancer. I wasn’t pastor that day. I drove to Atlanta, took the day off, and went to be with my family as she fought the toughest fight of her (maybe any of our family). She is 12 years my junior, and I left home for college when Amy was only 5. I adored her more like a doting uncle than a brother, although as adults I have loved her as a peer. She is smart, lovely, and, it turned out, a fighter. She went through it, survived, and is going strong. Still, I went back to that day, years ago, when I sat, helpless, in a waiting room, unsure what the coming hours would bring. It taught me some lessons.

Wednesdays are usually the busiest day of the week for me—surpassing even Sundays.  Last week, though, Vickie and I spent the day where so many of our members find themselves at one time or another—in the waiting room.  As we awaited my sister’s surgery, I found myself in the unusual position of being the recipient of visits.

Photo from flicker by timmielee5359/Kim Schuster

Photo from flicker by timmielee5359/Kim Schuster

As a family we had gone through all the decisions, phone calls, prayers and anxiety that patient families do.  Now the day had come and we had to—wait.  Here are some of the lessons I learned for just one day.

  • The greatest enemy in the waiting room is boredom. You talk, laugh, tell stories, and every now and then find yourselves staring at each other, waiting for something else to say.  Long periods of blanking it out interspersed with imagining “in there.”
  • There are so many feelings for just one day. Fear stops by in the morning and pops back in when you least expect it.  Hope, love, frustration, weariness, impatience and irritation.  They all pass through.  All you can do is sit while they fly through your brain.
  • People have truly different ideas of what the phrase “Dress appropriately” means.
  • Family, friends and church members are a comfort. You don’t have to say much.  Just seeing a face and knowing a connection does something for you.  All day long people I hadn’t met from her church came by and said, over and over in a dozen ways, “We care about you.”  It was truly humbling.  Many friends came by, and two graciously gave us over an hour of their busy lives to sit and help us laugh the time away.  Three church staff came to comfort us, and they did.
  • It is neat to just be “her older brother from out of town.” No tie.
  • Hospital food must come from a single warehouse. I had the same thing I ate the last time I had a hospital meal.  Some of the vegetables seemed to be prepared to drum up extra business for the gastro unit. (Editor’s note: this is better now)
  • Time is timeless in a hospital. That explains why nothing starts when it is scheduled and why things go on longer than you were told (reminded me of the little Catholic boy who visited a Baptist church with his buddy for the first time.  “What does it mean when the preacher takes off his watch and lays it on the pulpit?” he asked.  “Don’t mean anything at all,” sniffed the Baptist boy.)  It is why surgery feels like eternity when you are waiting on it.
  • You overhear some really interesting conversations. Over in the corner a man from Jamaica recited the entire genealogy of his family to two kinswomen, loud enough for us to hear intermittently.  “No, no, no, you’re Uncle Elias, see, he was my brother’s cousin…”  That went on for two hours, forming a Caribbean Book of Chronicles until they finally, I think, got back to the present day.  I believe the conversation only started with a single question about a nephew.  “Sorry I asked,” I imagined them saying as night fell.
  • There is plenty of time to think about important things—how much you love the important people in your life, how wonderful the church can be when the chips are down, what really matters in life, and how connected we all are.
  • There are a lot of people in trouble in this world. People from everywhere.  People who wouldn’t say hello to each other on the street smile and ask each other how it’s going.
  • Thinking about my friends back home praying for us helped. God truly is with us, even in the waiting room.
  • 2017 update: In the waiting room, you are all the same. Democrat, Republican, affluent suburbanite, poor rural family, educated and street smart, old and tired and toddlers rambunctious. We are one in our waiting. Too bad we can’t keep that in us when we go home. The man next to me is worried about his wife, the lady over there and her friend are laughing, someone else praying. If we all hang in there, we’ll get through the day. Wait. Pray. Hope.  

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God’s Dream and Our Fear

Adapted from my newsletter column to the church this week at www.vhbc.com:

As I was looking over past writings and came upon this one, from 1994. It still seems useful for now.

“God is our refuge and strength, a very present help in trouble” (Psalm 46:1).

The problem of life is not faith, but fear.  Fear of failure can paralyze a talented person from ever trying.  The fear of success can explain why many equally-talented people seem to sabotage themselves just on the brink of success or achievement.  Psychologists tell us that fear is the root of much procrastination in the perfectionist who can never begin the task until she is a little better prepared.

Fear can keep us silent in the face of evil when we should have spoken.  It is the fear of change that paralyzes our wills and reduces life to discontented mumbling against fate rather than risking ourselves to move forward.  The fear of death can turn us hollow and brittle, fearful of a garymisstep and terrified of suffering.  Fear grants a thousand deaths to a cowering heart.

Change, all change, brings fear with it.  Transitions surpass our past copings and leave us exposed and vulnerable.  We are once again where we find ourselves continually in life: thrown back on our wits and facing the unknown.

Every day, every week, we are facing changes as individuals, as the church, as families.  The creative possibility is that in the face of change we will choose with courageous faith to trust God’s new life through us rather than fear.

Parker Palmer says that “the core message of all the great spiritual traditions is ‘Be not afraid’…the failure is to withdraw fearfully from the place to which one is called, to squander the most precious of all our birthrights–the experience of aliveness itself.”[1]

As we look at the world around us, it is not a brilliant observation to see that we are in a time of suspicion, distrust and unkindness. The cheapness of life, the anger and fear of our culture, and the rampant selfishness of too many is easy to see. But what to do about Read the rest of this entry