Looking out from my office desk, to someplace green.
My friend Pat Terry is one of my favorite singer-songwriters, ever. After a long and successful career in contemporary Christian music, he widened his vision and writing. A successful career in country music as a writer followed, with plenty of hits. He just came out with his latest CD, “How Hard It Is to Fly,” and it’s another great batch of songs. One of my newest favorites, “Clean Starched Sheets” is on this one.
Pat’s heart has always been as a storytelling songwriter. I have been in a couple of his workshops, and he is a master craftsman. I’ve performed with him a time or two here in Birmingham, and I’ve gone more than once to hear him sing. His songs are deeply human. One of my favorites and one of the first I ever heard him perform (while opening for Earl Scruggs!) was “Someplace Green.” It sends me to visions of Eden.
Even churches, it seems, have their fifteen minutes in the social media world of fame. Through the years, that usually comes from outstanding accomplishments by our members who do something that ends up on the bulletin board. In my present congregation, having been here nearly 26 years, you eventually get a little reflection of the wonderful things your members undertake, and they are many. We have graduated people who became ministers, doctors, attorneys, and we claim eminent Baptist historian and advocate for the poor Dr. Wayne Flynt as a former member who was here in his Samford days. We currently have the Alabama Crimson Tide stadium announcer, Tony Giles, as a member, and in Alabama that accords near divine status for half of the church. One of our oldest members, Bobbye Weaver, was a renowned jazz drummer who played with Lawrence Welk and a host of other eminent people. One of our late members once danced with Betty Grable and worked on the Apollo space program. I could go on. But every church has its luminaries.
What does this “reflected glory” mean for the pastor? Not much. For if we take too much credit for the rich and famous, we also must own the other side of our membership. Let’s not go there. Give credit where it is due—their families, but more importantly, God, who is the giver of all good gifts.
Last evening, we kicked off our series, “The Callings That Find Us,” with Dr. Danny Potts. An overflow crowd filled the room and was not disappointed as he shared his personal journey with brokenness and new life through his father’s long battle with Alzheimer’s disease. It was inspiring and so helpful to all who were there.
Next Wednesday we welcome folksinger Kate Campbell. Kate is a favorite singer-songwriter for many. She is a storyteller and singer with a unique voice that blends faith, justice and humanity in her writing and singing. Growing up in the south as the daughter of a Baptist preacher, Kate’s formative years were spent in the very core of the Civil Rights Movement of the 1960’s, and those years left a mark on her.
Her Two Nights in Texas CD received the prestigious Mississippi Institute of Arts & Letters Award. Ballet Memphis featured several tunes from her song catalog as well as a live performance by Kate and band at a ballet entitled South Of Everywhere. Three of Kate’s songs (“Ave Maria Grotto,” “William’s Vision,” and “Fordlandia”) were recently featured in documentary films. A variety of artists have recorded Campbell’s songs including Laurie Lewis, Missy Raines, Ronnie McDowell, and the Nashville Bluegrass Band who covered her compelling snake-handling song “Signs Following.”
Campbell has played the prestigious Cambridge Folk Festival (England), Merlefest, Philadelphia Folk Festival, and Port Fairy Folk Festival (Australia), been featured on National Public Radio’s Morning Edition, All Things Considered, Live From Mountain Stage, and had her story (and haunting song “When Panthers Roamed In Arkansas”) included in the debut issue of The Oxford American’s ultra-hip Southern Music series. Kate’s latest release Damn Sure Blue, a heart-felt collection of tunes that pays a respectful nod of admiration to the Man in Black and reverberates with the soulful sounds of award-winning Americana guitar whiz and producer Will Kimbrough.
Kate lives in Nashville with her husband, Ira, a minister a
In March, our church will welcome a special Lenten time of renewal with a series of Wednesday night speakers entitled, “The Callings That Find Us.” Our speakers share Christian faith but come from a variety of backgrounds and stories to share their faith journeys—how they
came to Christian faith, how that has lived out, and the unexpected turns that have taken them to new places in their discipleship. What is the calling that ”found you” along the way of following Christ in that journey? This series will be open to the public as well and you are encouraged to invite friends to come and hear an exciting series of presentations.
March 13, 2019
“The Faces That Change Us: A Neurologist’s Experience With Dementia”
Dr. Daniel Potts
Dr. Daniel Potts is a neurologist, author, educator, and champion of those living with Alzheimer’s disease and other dementias and their care partners. Selected by the American Academy of Neurology as the 2008 Donald M. Palatucci Advocate of the Year, he also has been designated an Architect of Change by Maria Shriver. Inspired by his father’s transformation from saw miller to watercolor artist in the throes of dementia through person-centered care and the expressive arts, Dr. Potts seeks to make these therapies more widely available through his foundation, Cognitive Dynamics. Additionally, he is passionate about promoting self-preservation and dignity for all persons with cognitive impairment. He lives with his wife and two daughters in Tuscaloosa, Alabama.
March 20, 2019“Wonders Along the Way” Kate Campbell
Singer/Songwriter Kate Campbell has since put together a considerable body of work. Originally from the Mississippi Delta and the daughter of a Baptist preacher, Kate’s formative years were spent in the very core of the Civil Rights Movement of the 1960’s, and the indelible experiences of those years have shaped her heart and character as well as her songwriting. Her music and songs continue to inspire and excite a growing and engaged audience. A variety of artists have recorded Campbell’s songs and she has performed widely, including at the prestigious Cambridge Folk Festival (England), Merlefest, Philadelphia Folk Festival, and on National Public Radio’s Morning Edition, All Things Considered, Live From Mountain Stage. Kate lives in Nashville with her husband, Ira, a minister and chaplain.
April 3, 2019
“Ending Hunger: A Redeemed Hope for Feeding the World” Dr. Jenny Dyer
Dr. Jenny Dyer is the Founder of The 2030 Collaborative. As such, she directs the Faith-Based Coalition for Healthy Mothers and Children Worldwide with support from the Bill & Melinda Gates Foundation and the Faith-Based Coalition for Global Nutrition with support from the Eleanor Crook Foundation. Dyer teaches Global Health Politics and Policy as a Lecturer in the Department of Health Policy at Vanderbilt School of Medicine, and she has taught Religion and Global Health at Vanderbilt School of Divinity. Dyer formerly worked with Bono’s ONE Campaign, Bono’s organization, from 2003-2008 to promote awareness and advocacy for extreme poverty and global AIDS issues. She is an author and frequent contributor in the media. She lives in Franklin, Tennessee with her husband, John, and two boys, Rhys and Oliver.
April 10, 2019 “Closing the Distance” Dan Haseltine
Dan Haseltine is the Lead singer/Primary songwriter for the 3x GRAMMY™ winning band, Jars of Clay. Dan has written 17 #1 radio singles, received multiple BMI Song of the Year Awards, and National Songwriting Association’s highest honors. He is a Producer, Film/Television composer, and Music Supervisor. Dan is the Founder of non-profit organization, Blood:Water, celebrating 15 years of supporting local solutions to the clean water and HIV/AIDS crises in Southern and Eastern Africa. Blood:Water has helped more than 1 million people gain access to clean water, sanitation, hygiene training and community health support. Dan lives in Franklin, TN with his wife, Katie and 2 sons, Noah(18), and Max(15) and two dogs… Gracie and Coco. Dan is also a columnist, advocate, and thought leader surrounding the work of extreme poverty reduction, and international development
It’s time change Sunday agaiu. We “Spring Forward” (move clocks forward one hour) just as in the fall we “fall back,” as in move them back an hour. We spend an inordinate amount of time dreading, hating and complaining about the changes. It’s fairly well known that it messes up our sleep patterns, too.
According to the website, LiveScience, it was Ben Franklin that first came up with the notion. The Germans were the first to do it, during the first World War. Woodrow Wilson and FDR also followed in wartime, to save fuel and economize. They also point out that today only forty countries follow it. Farmers, contrary to the myth, hate it because they lose early daylight.
All that said, we in the churches would have to say we dislike it the most. It does not change during the Super Bowl. It does not change during the NBA Finals or the opening bell on Wall Street. No, it changes just before we are trying to raise the dead for Sunday morning worship. Priorities, I say. Our choir email included a clever hymn text about time change, which inspired me to write my own. I hope that it may ease thy misery by turning it into song. Rise, O Sleepers.
Fifty years ago this week, Martin Luther King’s life was frozen in time for the whole world. His words keep living, his story keeps being told, and the events of his life are examined again and again. It is not that time any more. The pain is more diffuse, spread into new struggles for equality and justice.
It is worth marking the remarkable changes that have happened in that fifty years. We can go to any restaurant and drink from the same fountains. A lot of things are better, much better. But the pain he saw is still in the world–the pain of something not finished, a hope not yet realized, a brokenness needing mending.
The deepest wounds heal from the inside out, and only with the greatest of care. There will be setbacks and infections and discouragements, but there is still much reason to hope and keep trying.
I once attended the Unity Breakfast on Martin Luther King day here in Birmingham and heard Diane McWhorter, whose book Carry Me Home recounts the impact of those momentous days of the Civil Rights struggle on the world. Whenever someone “remembers” how something was, it invites us to remember it from where we were at the time. I remember the civil rights era in the South, but it was not from the vantage point of an adult in the middle of Big Issues, but as a child growing up in the South.
I remember going on a hot Sunday afternoon with my father to the home of an employee. She happened to be African American. Her family member had been killed in a train accident, and my father believed that the proper and respectful thing to do was to go by to see the family.
I remember waiting in the car while he went in, a little boy watching out the window to see people who also lived in Clarksville, Tennessee, but a very different Clarksville than the one in which I lived. I had never noticed that their children didn’t go to school where I did, or that we never ate in the same restaurants, or that we barely came across one another. This separation made my trip all the more startling. It was as though I had stumbled onto a hidden cave where an entire civilization hitherto unknown to me had taken residence.
I watched people come and go, just like in my community, bringing food, dabbing their eyes, dressed in their finest. Men tugging at their collars in the hot summer air opened the door for their wives in hats to go in with the bowl or dish. It was impressive, this little world to which I did not belong. People laughing, people smiling, people crying, just like us. But not with us.
I took in the strangeness, but something stirred even deeper in me. I saw my father speaking to them, as he did to everyone, with respect and courtesy and manners. I hear people telling tales from the sixties about marching and protesting. I have no tales like those. I was young and oblivious to the invisible walls of separation. But I do remember my father treating everyone the same, kindly, decently. His employees seemed to think they all counted the same with him. He never lost his temper that I knew of, or swore or cursed at people. Just treated them alike.
My examples were different from those dramatic and provocative ones. My family mostly watched the struggle on nightly television with the rest of the world. We worried, shook our heads, weren’t too sure how it would go. We were not allowed, though, to use epithets and inflammatory words about other races.
It takes struggle and often conflict for change to begin. But there is also the task of taking change in and absorbing it, making it livable and practical and something that can happen every day without incident. It is one thing to change laws. It is another to elicit the consent of people to those laws. And quite another to live out their spirit every day. It means using words carefully, for the purpose of telling truth, not perpetuating our own version of it.
The whole world was changing before my eyes, in ways I did not understand and would not understand, but the example of my father’s kindness did sink deep in me. And I wonder about the eight year old boys and girls among us. What are they seeing? How are we doing? Is there something impressive enough in the way we are living life to sink deep in their souls and stay with them until they are adults?
In something as simple and apparently random as going by someone’s house to pay respects, in doing what is decent and right and good, you may be causing a quiet revolution in someone who is watching not only what you do, but how you do it. Someone is watching, always. So write the script you want remembered. It will live on after you for a long time, for good or for evil. I was one of those little white children that Martin Luther King dreamed about.
So I am going to do every little thing I can to not be afraid, to make friends, to pay my respects, and teach my children and grandchildren that there’s room for everyone at God’s table. Everyone.
I remember those times with a song I did on my first CD, “Lorraine.” It was inspired by my first visit to the Civil Rights Institute in Memphis, which ends at the balcony where Dr. King was murdered by fear and hate. But I like to remember what outlives fear and hate: hope and kindness and the hope of a better day.
If you don’t know who Ricky Skaggs is, then you really don’t know anything about bluegrass and old-time music. It’s important to distinguish those two terms. “Bluegrass” technically didn’t exist before the 1940s. It was literally invented as a form by Bill Monroe, recasting the traditional old time music of his Kentucky and Appalachian roots with a new sound built around his unique mandolin playing. The mandolin took a new role as a centerpiece performing lead instrument in
Ricky Skaggs and Bill Monroe
Monroe’s vision. He was truly a unique American music phenomenon.
Monroe inspired an entire generation of musicians and his influence lives on in all the varieties of bluegrass, newgrass, swing, jazz and a hundred other variations of playing involving the mandolin, but no one has embodied that variety more than a kid from Kentucky named Ricky Skaggs. His father started him out with a mandolin around age 6 and before he was out of his teens, he played on stage with Monroe himself, with childhood buddy Keith Whitley, Flatt and Scruggs and toured with the Stanley Brothers.
Bluegrass and its predecessor, the “old time” music, that was originally the dance music and music played in homes and small communities of the South that had traipsed across the Atlantic from the border regions of Scotland through Ulster and Ireland as immigrants to the New World, settling in the mountains of the South. They brought with them the instruments of their folk music, and it underlay their common life for generations. Like all immigrants, their music was a powerful identity that helped buffer them against the hardships of fitting into a new and strange country that did not always want them.
Like all people, the love for their children motivated their work, way of life, and the sharing of their music. Today, like few other music forms, you will see men in their eighties at a bluegrass festival sitting in a circle jamming with teenagers strumming guitars and 6 year old fiddle and mandolin players. Ricky Skaggs was one of those children.
It gives hope to look at our children and imagine what they might do. They are not jaded yet by our own deep prejudices and ignorant opinions
about “how it is.” So today, I share this video I came across of little RIcky Skaggs, age seven, playing on television with Lester Flatt and Earl Scruggs. Teach your children well. And maybe their elder’s failures will give way to something wonderful, unexpected and new.
Doesn’t conflict at this moment in Lent to me at all, when we are wringing hands, troubled in mind, struggling with hope and anxious to the gills, to pick up my mandolin at home, play a tune, and feel something lift out of the room. Wherever that sound came from (and as a man of faith, I think I know), it says, “There’s still something unexpectedly beautiful up ahead. Go on, and don’t give up.” If you don’t know any seven year olds, I suggest you enlarge your life and bit, get out of yourself, and look for hope in the strings and paintings and delightful voices of the young.
members who do something that ends up on the bulletin board. In my present congregation, having been here nearly 26 years, you eventually get a little reflection of the wonderful things your members undertake, and they are many. We have graduated people who became ministers, doctors, attorneys, and we claim eminent Baptist historian and advocate for the poor Dr. Wayne Flynt as a former member who was here in his Samford days. We currently have the Alabama Crimson Tide stadium announcer, Tony Giles, as a member, and in Alabama that accords near divine status for half of the church. One of our oldest members, Bobbye Weaver, was a renowned jazz drummer who played with Lawrence Welk and a host of other eminent people. One of our late members once danced with Betty Grable and worked on the Apollo space program. I could go on. But every church has its luminaries.
epithets and inflammatory words about other races.
