Creativity – The Flatpickin' Pilgrim's Progress

Two Poems for the Pan*****

I agree, but am wearying to say, “we’re in it together,” since we didn’t get a vote. I’m sick of “pandemic” (so I turned it into faux profanity–pan*****),”Covid-19,” coronavirus,” and “webinar.” I don’t like where we are, but left that emotion aside in the press of survival. I did a series of “Pandemic Haiku” earlier, but turn today to a bit of escapist verse. Among my Christian friends (most of mine are of the less literalistic and more reflective types), it is helpful to find Biblical imagery–the exile, an apt one, with its sense of jarring losses and displacement. It’s too simplistic to go straight for the apocalyptic–apocalypticism was a minority tool in the ancient box that people take out in times like these. Dystopian imagery, though, is like a long train ride with Obadiah in the Hebrew scriptures (it’s short, give it a read). We yank it out of the box the way my Dad used to call his hammer a “North Carolina screwdriver” and cram every disaster into the Rapture box. It may get the job done, but leaves holes in the wall. Humor, though, is of great use for this moment. Just as it is in grief–without stories that make us smile, or fond memories, the waves of sorrow would drown us. In grief as in life, it not a straight line of morbidity, but the ocean of feelings, good, bad and otherwise. So, two more little poems. I can’t help it. They just pop out. Whether they spread uncontrollably is, well, not up to me. Maybe a smile amid the little glimmers of loss that intrude on the day. There’s so much to grieve, so maybe a little dark humor helps.

Poor Virus

Imagine!

Everywhere you go, even though you affect everyone around you

and millions of people fear you and know your name,

that the whole world hates you and wants you to die.

It’s not like you had a great start—born of a bat-bite

In a filthy wet market.

You were bound to be wild.

You make people sick.

Your existence is one relationship to the next

And everything you touch is diminished or dies.

Continue reading Two Poems for the Pan*****

After Easter…

Sometime I will have to gather my thoughts about this breathtaking revolution that has been forced on us in the larger context. Mine is one local congregation of people with whom I’ve been for twenty-seven years come July. Things always change, but this one has been especially momentous. Others have had enough to say, but I’ve observed a few little beams of light in the dark. Consider these:

Churches forced to innovate everything we do. How appropriate that Holy Week would be the big test. And the people are still there. Turns out that little rhyme we did with our hands as a kid had something to it. “Here’s the church, here’s the steeple,” (fingers interlocked and hands folded, index fingers joined in a spire. “Open the door,” and you’d unfold your hands and wiggle your fingers, “and there’s the people.”
I see a lot of cooperation, humility and mercy down here on the ground level.
Leaders rise up in the worst of times. Anybody can lead in good times. Only in the crises can you tell the difference.
Imagine that Christianity in a short while has had to watch the burning down of the Cathedral of Notre Dame and Vatican Square empty except for a blind man singing “Amazing Grace” on Easter Sunday after the Pope stood there alone. But people sang “Amazing Grace” all over the world Sunday.
People sewing, volunteering, sacrificing and praying harder than usual. Constant cheering and appreciation for our medical workers. I often pray when I go to a hospital (I miss that right now), “Lord, we know that you’ve given us wisdom and medical knowledge so that these doctors, nurses and workers do every day and routinely what Jesus did miraculously.” Healthcare is a daily miracle. We just appreciate it more right now.
Being away from people we love makes us yearn for their presence and anticipate the first time we can see one another. You can feel it all the way into prayer.
The earth has been given a sabbath of human activity. Sea turtles in India are flourishing during our quarantine, and people can see the Himalayas from a hundred miles away for the first time in years. We ought to remember what we’ve learned.

Continue reading After Easter…

A Guitar for Christmas

I have a modest guitar collection if you compare to some. Each instrument I have and play, though, is as unique as a child. Each has its own “voice,” and no two instruments are exactly alike, even if they are identical models. Each piece of wood sounds a little different from all the others. You learn this if you are a serious player.

Instruments have their oddities, too. Sometimes, tuning is not precisely right on every fret, or the “feel” of the instrument varies. Some applies to guitars, violins, banjos, mandolins, any instrument of wood and wire. This eccentricity, like that of human voices, is a source of delight, not frustration. The reason I generally hate a lot of electronically created music is the sameness of it.

Human voices are like that. I like gravely voices, deep voices, angelically soft voices, and raspy voices. Each voice expresses who that human being is, at least in part.

My very first guitar of my own was a Yamaha FG-230 Twelve String guitar. My parents got if for me for Christmas of 1971, I think. I had started playing music with two great friends who were musicians.

Gary Woody Paul (1) — With Woody and Paul, Christmas 1971. Instead of new sweaters.

Both would go on to professional music careers, one still in it. My friend Woody had a Hoffner bass like Paul McCartney played in the early Beatles’ music, but that year got a Fender Jazz bass. Paul, who already played a Fender Telecaster like a pro by age 17, got a Yamaha six string the same Christmas. We both loved old country music and bluegrass. Paul introduced me to everything else in the world–he liked all kinds of things, from Grand Funk Railroad to Dillard and Clark to the Incredible String Band.

We were writing songs and Continue reading A Guitar for Christmas

Death Grief and Hope: Songs for the Shadows

We must face our losses. Courage does not spare us from them.

Courage’s work begins at the other end of honest acknowledgement.

Grief can encompass many parts of life, not merely death. It is, in many ways, our most universal experience. It can be the death of dreams, grief of a way of life that ends, the end of a relationship, leaving home, moving to another town, divorce, a broken friendship. The question is, “What are we to do with it?”

I can’t speak for people who have no faith in God, but I will admit that having faith in God doesn’t dispose of grief. It is just the same, just as overwhelming, the same disbelief followed by disintegration and despair and a long struggle to put life together again.

One verse of scripture I have found meaningful is this one:

But we do not want you to be uninformed, brothers and sisters, about those who have died, so that you may not grieve as others do who have no hope. 1 Thess. 4:13

I take great comfort that it does not say, “Don’t grieve, you’re a Christian,” but I have heard many a well-meaning minister stand up and talk about death like it was a flu shot. Death is real, it is irreversible, it is disheartening. I don’t think dismissing reality is a good idea. It has a way of showing up again with reinforcements.

The denial of death is, as Ernest Becker said, the most pervasive of human failings, and the most futile. The Apostle Paul said, very intentionally, that we should not “grieve as those who have no hope.” Instead, I would assume, we should grieve as people who DO have hope. Continue reading Death Grief and Hope: Songs for the Shadows

Everything’s Bigger in Texas: the Oxford American 2014 Music Issue

OA Texas — The Oxford American Music Issue

For many years, a member of my church who knows my weird tastes in music (if most people have never heard about it, I might have; if mass media doesn’t write about, I will) gives me the annual Oxford American Southern Music Issue. Given my roots and rootlessness around and on the edges of this bizarre and wonderful region (politics=absolutely bizarre; unelected people generally fascinating and gracious; land, music and layer of cultue—wonderful), he knows it lines up with my interests.

The OA is a journal with as colorful and eccentric history to match the region it writes about, but plenty has been written about it elsewhere. Just a few lines to mention the music issue, which isn’t cheap ($12.95) but well worth it. Every year, a particular state’s rich heritage of famous and not-so-well-known songwriters and performers are showcased. Continue reading Everything’s Bigger in Texas: the Oxford American 2014 Music Issue