folk music – The Flatpickin' Pilgrim's Progress

It Came Upon a Midnight Clear

I confess, I have now been part of a ukelele flash mob, back when mobbing was not a public health crisis. But enough of that.

Every year, the curmudgeons, musicians all, who inhabit the couch and chairs at Fretted Instruments of Homewood, contribute tracks for a Christmas CD that is given away. This is one I did a few years ago–ukelele, mandolin, dobro and guitar played by yours truly. Oh, and banjo, just for good measure. Merry Christmas!

“It Came Upon a Midnight Clear” was penned by Edmund Sears. Sears was a divinity graduate of Harvard and became a Unitarian pastor who “preached the divinity of Christ” according to Dr. Michael Hawn, a church musician and scholar of hymnody. By age 37 poor health forced Sears to give up pastoral work and he spent the rest of his career in publishing and writing.

According to Dr. Hawn,

Sears’ context was the social strife that plagued the country as the Civil War approached. This hymn comes from a Boston publication, Christian Register, published on Dec. 29, 1849. The original stanza three, missing from our hymnals, sheds light on the poet’s concerns about the social situation in the U.S. in the mid-19th century:

“But with the woes of sin and strife
The world has suffered long;
Beneath the angel-strain have rolled
Two thousand years of wrong;
And man, at war with man, hears not
The love-song, which they bring:
O hush the noise, ye men of strife,
And hear the angels sing!”
Michael Hawn, “History of Hymns: ‘It Came Upon a Midnight Clear.’”

Thinking of this hymn in this way makes us hear the final two verses very differently. In the third verse we know in present versions, humanity, bent low under the crushing loads of our insanity and wars, do not yet know the hope that God sent forth in Jesus. They (we) are exhausted and nearly hopeless. Hear the words repeating through that verse: toil, climbing, painful steps, weary. The world is a heavy place. The angelic singing comes as a musical respite, notes of hope in the night.

Early Bethlehem was not much better. I wrote about this in another song on my last CD, “Down in Bethlehem.” There is a realism about the human condition in the gospels that we do not pay much attention to in the prosperous West, at least not until lately. The multiple burdens of the year 2020 and a world in pandemic lead us back to this hymn in a new way, don’t you think? Now, we too yearn for the fulfillment of that birth,

when peace shall over all the earth
its ancient splendors fling,
and the whole world send back the song
which now the angels sing.

Now it becomes a prayer, a troubled thought in the night. We are not the first people in history to toss and turn in the night.

From Here to Okay

This song speaks for itself. It came to me during the summer. The hook was a quote from a news story at a disaster scene, but my mind was on people I loved and knew who lost children. Their stories are the most courageous I have ever met. That they still have any faith at all after such losses is perhaps the closest to real miracles we ever see.

It’s such a long, hard road. In my vocation I traipse alongside unimaginable losses, but children are the hardest from my perspective. It is the loss of love so intense, the loss so against our DNA, that a person’s world is shattered. But they keep going, somehow.

This is on our forthcoming new album. This particular track features my friend since high school, Paul Harmon, a phenomenal musician from the Boston area, along with fiddle work by Mark Weldon.

From Here to Okay
Gary Allison Furr

1. I was telling my favorite story when I heard a knocking sound
It was my neighbor. He said, “You’d best sit down”
I never finished that story. I’ll never tell it again.`
The clock on the wall said 7:10.

2. I’m lost and so angry. She’s just sad all the time,
The shadows go with us everywhere.
Now and then for a while we still act like we used to,
But we still can’t move that empty chair.

CHORUS:
It’ll be a long time ’til we put it behind us
Just sit with me. There’s nothing to say.
Walk with me a while in the valley of grey
It’s a long way from here to okay

So thank you so kindly for asking about us
And for the fine food that you brought
But please take back home the reassuring words you offered,
It’s not easy answers I’ve sought

Some cope with a bottle, and others with a pill,
Some sit in a circle and pray for God’s will,
But nothing on earth fills the hole left inside
By a love that was once so alive.

CHORUS:
It’ll be a long time ’til we put it behind us
Just sit with me. There’s nothing to say.
Walk with me a while in the valley of grey
It’s a long way from here to okay

credits

released November 18, 2020
lyrics and music by Gary Allison Furr BMI all rights reserved.

Gary Allison Furr-vocals, guitar
Mark Weldon—violin
Paul Harmon—electric guitar, piano, percussion, bass, drums

New Songs Out

At long last, the new CD, FLAT TIRE ON MEMORY LANE is to be released shortly. I’m posting some of the songs already as singles for you to listen to and enjoy.

“If I Only Had One” is the first single release that will be on our album. The idea is pretty straightforward. “What if this was my last day, year, chance?” What would I do differently? And why don’t i go ahead and live that way now?

Human nature being the way it is, I suppose most of us only focus when we have to. But the thought of it was very meaningful to me. Brought back the quote from Annie Dillard in THE WRITING LIFE: “How you spend a day is how you spend a life.”

“Will You Love Me If I Have One Eyebrow” is a song that was inspired first by the music. Fooling around one evening with some swing-y chord changes and this one came forth. I love swing, funny songs, and anything Harry Connick might do. This is the second song I’ve written for Harry. Of course, he doesn’t know about it, but it’s here if he wants it! Enjoy. It’s about love in the sunset years, when everything starts heading south physically. Your knees start to snap, crackle and pop and hair grows in all the wrong places. Is love strong enough to survive?

Please click and enjoy!

Living Through Exile

I wrote this to our church back at the beginning of April. I hoped, like all of us, that we’d be “back to normal” by now. But we aren’t. So in looking back at this, it’s more relevant than I thought. We’re in it for a while. Hold on.

The exile in ancient Israel was a traumatic disruption. The city of Jerusalem and all the towns of any size were sacked and burned, people scattered and all the Judaeans with any talent, leadership or education were marched across the desert to Babylon Iraq where they lived in an ethnic ghetto, not speaking the language or having any access to power, wealth and influence in their new land.

It was a time of terrible devastation. Excavations at Debir, Lachish and Beth-shemesh show enormous devastation. No town in the south escaped. Many died in the siege, many died of disease and starvation. The population decreased from 250,000 in the 8th century to perhaps 20,000 after the return .

The Exile presented many problems. First, of course, was simple survival. And how do you live in an interim? But by far the most profound was a theological and spiritual crisis. Their whole world, the one they knew, had disappeared from under their feet.

It became a profound time of spiritual change. They began to transfer and organize their scriptures from collections and memories into books. The synagogue was born, since the Temple was gone. But above all their was their shared memory. Psalm 137:5-6 comes from the exile.

If I forget you, O Jerusalem, let my right hand wither!

Let my tongue cling to the roof of my mouth,

if I do not remember you, if I do not set Jerusalem above my highest joy.

It was a time when they realized that only God could taken them home again–and they eventually did. At times, as in Jeremiah 29, they had premature hopes that it would happen fast, but eventually they settled in for the long haul. Exekiel 37, a vision of resurrection for the nation (from which James Weldon Johnson’s wonderful“Dry Bones” comes from), saw a return to the life they loved. But alas, not right away.

It is breathtaking how quickly our full and prosperous lives of ballgames, family gatherings and entertainment venues was collapsed by a tiny little virus. Now we sit in our homes, even unable to come to God’s houses to worship together. Hugging our friends, sitting together on the pews, choir rehearsal, Wednesday night supper, is now cut off for a little while. No ballgames, no concerts, no movies at the theater.

We’re making the best of it, and praying, helping and trying to keep the kids going, as much normal as possible. It dawns on us that this passage is going to be tough. So what to do?

We’re figuring out how to survive, how to do the interim, keep it going. We post things to lend a little courage to one another. But the spiritual crisis is also pervasive. And it’s not what self-anointed prophets of doom proclaim. I’ve been listening to those people since the 1970s, convinced that the end of the world is now at hand. Maybe, maybe not. Jesus said you and I don’t get to know that. Period. (Acts 1:7). The book of Revelation is not a how-to book of prediction for us to know ahead. It’s a promise that God will outlast evil.

Interestingly, there are people who can help us. A member of our church whose husband received a heart pump in a near death crisis five years ago emailed me this week and said, “We’ve laughed and said that actually everyone is now living our lives that we inherited five years ago — that we can never be apart from each other and we really go very few places anymore.” People in nursing homes understand, as do caregivers of the elderly, prisoners and parolees. Life is has edges that are determined by realities external to your will.

So what now? Just keep on. Live your faith, teach your children, laugh and rejoice all you can. Help out, and pray for the helpers. But above all remember that this is not the first time of crisis for the world. The spiritual opportunity is not about scaring people into faith—it’s about revealing that the way of a cross always was the way. The only way over it is through it.

As we finish this Lenten journey, the tone of our moment is matching the Jesus story in a remarkable coincidence. We aren’t just reading about disciples afraid of the unknown up ahead. It’s real. We don’t know where it’s going or how many of us will get through it unscathed. There is only surviving, holding on, trusting in faith.

There is precedent for this moment. And with that I tell you, “Hold on.” There’s always something on the other side of every cross.

At least that’s what I trust, even when my knees are shaking a little. I’ve been listening to Bob Dylan again, a lot. This one is a hard song, but still speaks to me.

A Guitar for Christmas

I have a modest guitar collection if you compare to some. Each instrument I have and play, though, is as unique as a child. Each has its own “voice,” and no two instruments are exactly alike, even if they are identical models. Each piece of wood sounds a little different from all the others. You learn this if you are a serious player.

Instruments have their oddities, too. Sometimes, tuning is not precisely right on every fret, or the “feel” of the instrument varies. Some applies to guitars, violins, banjos, mandolins, any instrument of wood and wire. This eccentricity, like that of human voices, is a source of delight, not frustration. The reason I generally hate a lot of electronically created music is the sameness of it.

Human voices are like that. I like gravely voices, deep voices, angelically soft voices, and raspy voices. Each voice expresses who that human being is, at least in part.

My very first guitar of my own was a Yamaha FG-230 Twelve String guitar. My parents got if for me for Christmas of 1971, I think. I had started playing music with two great friends who were musicians.

Gary Woody Paul (1) — With Woody and Paul, Christmas 1971. Instead of new sweaters.

Both would go on to professional music careers, one still in it. My friend Woody had a Hoffner bass like Paul McCartney played in the early Beatles’ music, but that year got a Fender Jazz bass. Paul, who already played a Fender Telecaster like a pro by age 17, got a Yamaha six string the same Christmas. We both loved old country music and bluegrass. Paul introduced me to everything else in the world–he liked all kinds of things, from Grand Funk Railroad to Dillard and Clark to the Incredible String Band.

We were writing songs and Continue reading A Guitar for Christmas