Category Archives: Christmas

Down in Bethlehem

Today I am beginning a series of blogs about songs, more specifically songs I have written. I want to write a little about their “births,” as for me, songs are like children, or at least like the ugly ash tray I made out of clay at camp. They are mine, they mean something to me, and I still love singing them. Today, I’ll start with the first cut on my new album, “Down in Bethlehem.” I actually came up with the idea while writing a sermon, I guess it was during Advent of 2015. It’s a bit weird, really, to think of a third of humanity gathering every week to reflect on a two thousand year old set of texts, but in a time when we obsess over the latest thing, it’s a little comforting to me that we can mull over the same writing again and again, and like some prism being slowly turned in daylight, new colors of insight come.

I was struck by the commonality of the major stories about Bethlehem, that of Ruth, a Moabite widow who came as a foreigner immigrating back to her husband’s home’ David, the youngest of eight, who was selected by the prophet Samuel to replace Saul as king, and Jesus, born to a young couple shrouded in unimportance.  Again and again, in the Bible, God “chooses” to work with the “Most Likely Not to Be Chosen.” First I wrote a short poem to use in the sermon, then was haunted by it until this song came.

I was thinking about U2, Springsteen, music that is simple, driving, repetitive and building over time. Brent Warren does some really fine electric guitar work on this cut.  Take a listen and enjoy!  BUY or listen to it here. It still is true, I believe, that hope is a powerful and inexplicable reality, one that rises up unexpectedly and in the most unpromising of moments. That is when I suspect God might be up to something.  (see Ruth, 1 Samuel 16, Matthew 2 for the stories behind the song).  I’ve posted the whole song on my website for a week or so.  https://www.reverbnation.com/garyfurrmusic

Read the rest of this entry

In the Flesh: A Christmas Day Sermon

This is the sermon I preached this morning, Christmas Day 2016, at 10 am at Vestavia Hills Baptist Church, Birmingham, Alabama. Merry Christmas to all!

NRS John 1:. 14 And the Word became flesh and lived among us, and we have seen his glory, the glory as of a father’s only son, full of grace and truth.

My nephew Aaron is a college student, all grown up and mature now, but when he was seven years old my sister Amy and her two boys accompanied her husband Chris on a business trip.  On the way they incorporated a little vacation and stopped in Los Vegas.  They went to the Hilton Hotel, which houses the world famous STAR TREK: THE EXPERIENCE

STAR TREK: The Experience is an interactive adventure based on the voyages of the most exciting futuristic television series of all time — Star Trek. Visitors are immersed in a futuristic world where they see, feel, and live the 24th century!

They walked in and her little boys were absolutely overwhelmed.  They hadn’t been there long when a huge man dressed as a Klingon came walking up.  Now, I’m not a Star Trek fan, but many people star-trek-the-experience-castare.  Vickie never would permit us to watch anything on the television at our house involving mutants or creatures with things on their foreheads with our girls in the house, so I always waited until after bedtime to watch aliens and zombies and such.  Take my word for it, though, a Klingon is an alien who looks pretty weird.

So anyway, this guy comes walking up, he’s about seven feet tall with elevator platform boots on to make him taller and got that “rainy day mutant” look on his face, and he bends over to my terrified little nephews and says, “Where are YOU from, little boy?”  And Aaron’s trembling mouth drops open and he replies, “Earth!”

I sympathize.  I have the same reaction when I think about Jesus arriving here.  It’s such a strange concept.  Star Trek has created a whole universe out of our fascination with what’s “out there.”  The original series began with the phrase describing the Starship Read the rest of this entry

God’s Dream and Our Fear

Adapted from my newsletter column to the church this week at www.vhbc.com:

As I was looking over past writings and came upon this one, from 1994. It still seems useful for now.

“God is our refuge and strength, a very present help in trouble” (Psalm 46:1).

The problem of life is not faith, but fear.  Fear of failure can paralyze a talented person from ever trying.  The fear of success can explain why many equally-talented people seem to sabotage themselves just on the brink of success or achievement.  Psychologists tell us that fear is the root of much procrastination in the perfectionist who can never begin the task until she is a little better prepared.

Fear can keep us silent in the face of evil when we should have spoken.  It is the fear of change that paralyzes our wills and reduces life to discontented mumbling against fate rather than risking ourselves to move forward.  The fear of death can turn us hollow and brittle, fearful of a garymisstep and terrified of suffering.  Fear grants a thousand deaths to a cowering heart.

Change, all change, brings fear with it.  Transitions surpass our past copings and leave us exposed and vulnerable.  We are once again where we find ourselves continually in life: thrown back on our wits and facing the unknown.

Every day, every week, we are facing changes as individuals, as the church, as families.  The creative possibility is that in the face of change we will choose with courageous faith to trust God’s new life through us rather than fear.

Parker Palmer says that “the core message of all the great spiritual traditions is ‘Be not afraid’…the failure is to withdraw fearfully from the place to which one is called, to squander the most precious of all our birthrights–the experience of aliveness itself.”[1]

As we look at the world around us, it is not a brilliant observation to see that we are in a time of suspicion, distrust and unkindness. The cheapness of life, the anger and fear of our culture, and the rampant selfishness of too many is easy to see. But what to do about Read the rest of this entry

Call and Response: Excerpt from Poems, Prayers and Unfinished Promises

In December, Mossy Creek Press released my new book, Poems, Prayers and Unfinished Promises.  I have been so gratified by the readers’ enthusiastic responses.  From time to time, I want to share a few excerpts with readers.  Since we are in the Lenten Season, I share this prayer, found on page 48:

A Prayer for the Beginning of Lent

Based on Psalm 42:8-11COVER PIC jpg

As a Baptist kid in the South, I had never heard of Lent, but I understood “call and response” instinctively. Someone sings and you sing back to them. In southern gospel, it was often something the basses and altos did, little descants under the melody, like a man and woman when they really speak and hear each other’s hearts. That’s the Lenten journey to me—get quiet, listen and when you finally pick up the song, sing back. You really have to train your ear to hear it.

“By day the LORD commands his steadfast love and at night his song is with me, a prayer to the God of my life. I say to God, my rock, “Why have you forgotten me? Why must I walk about mournfully because the enemy oppresses me?” As with a deadly wound in my body, my adversaries taunt me, while they say to me continually, “Where is your God?” Why are you cast down, O my soul and why are you disquieted within me? Hope in God; for I shall again praise him, my help and my God.”  Psalm 42:8-11 NRSV

 

Read the rest of this entry

Asking Good Questions: A Sermon for a Young Parent

 I’d want them to know my love was so strong that no matter how bad it gets,

how far down they go, who leaves them and abandons them, I won’t. 

13Now when Jesus came into the district of Caesarea Philippi, he asked his disciples, “Who do people say that the Son of Man is?” 14And they said, “Some say John the Baptist, but others Elijah, and still others Jeremiah or one of the prophets.” 15He said to them, “But who do you say that I am?” 16Simon Peter answered, “You are the Messiah, the Son of the living God.” 17And Jesus answered him, “Blessed are you, Simon son of Jonah! For flesh and blood has not revealed this to you, but my Father in heaven. 18And I tell you, you are Peter, and on this rock I will build my church, and the gates of Hades will not prevail against it. 19I will give you the keys of the kingdom of heaven, and whatever you bind on earth will be bound in heaven, and whatever you loose on earth will be loosed in heaven.” 20Then he sternly ordered the disciples not to tell anyone that he was the Messiah.    

Looking at a newborn is a pretty overwhelming reality.  It is the age we are in.  Vickie and I were sitting outside in the

waiting room, getting more anxious by the moment for our daughter and her husband and a little one.  Being born is

from cdc.gov site

from cdc.gov site

dangerous, not guaranteed, and full of anxiety, no matter what reassurances we are given.  In fact, the greatest advice from the OB to our daughter the last two months was, “Don’t Google.”

We don’t know how to know what to do with all the information.  In the old days, they took the mother, the father paced outside, and  the baby arrived.  It was the first inkling of what you had—boy or girl.  No paint colors until you knew.

Now, you have more knowledge about this infant than the NSA has of your cell phone.  But what to make of it?  Truth is, there is still a place where we cannot intrude with knowledge, and it is the miracle of life itself.

But don’t get me wrong.  It’s great to know.  And here’s how we got the word.  We’re sitting there, grandparents, waiting, worrying, praying.  Getting texts from our kids and friends—praying for you, hoping, let us know, that sort of thing.  And we occupy ourselves by answering these as we wait.  Naturally, we are watching the other occupants of the room.  A waiting room is pure democracy.  Rich, poor, well-dressed and barely dressed, country and city, every Read the rest of this entry

“Live at Moonlight On the Mountain”

Our band has produced two CDs in the past, in 2000 (Shades Mountain Air) and in 2004 (Sky’s a Clearing).  For the last nine years, we’ve been promising a “new” CD while going about busy lives.  I have had four individual collections of songs in the meantime, and the band has done a CD related to Greg’s short film, titled Christmas At Virgin Pines.

DSC_1789 (1024x678)Sometime last year, we said, “Why don’t we try a live CD?  It can capture the energy and experience of a performance, the joy of sharing with an audience, in a venue we love?”  So, the result was a June 1 concert at Moonlight on the Mountain in Hoover, Alabama, one of our very favorite places to play.  Engineer Fred Miller of Knoddingoffmusic came and meticulously recorded the night and mastered the CD for us.  After many months, Live At Moonlight On the Mountain  is finally here and available for purchase.  It’s a great CD, maybe the best ever.  It shows our fifteen years together, the long experience of performing our songs until the arrangement is just right, and the love and energy of playing together.  I think our fans will love it!

So, I encourage you to visit our store on our website.  Eventually it will be available on Amazon and iTunes, but for now, you can purchase directly here by credit card.  Just click the link! LIVE AT MOONLIGHT ON THE MOUNTAIN

Fiddle Tunes, Old Time, and “Jamming”

When you jam, you shoot for fun and participation, not showing off

Well, the other day Nancy called me and said, “Hey, we’re going to have a jam over at the house.”  Jim Brown and his daughter are coming to play fiddle, and a couple of neighbors are coming, one plays the guitar.”  So I went.  We had a grand time.

IMG_7462 (2)

Taking turns ain’t so bad.

Jam sessions used to terrify my when I was still learning the “discography,” as they say.  The bluegrass, celtic, Irish, old-time and folk worlds are an oral tradition of literally thousands of songs.  Just the familiar American fiddle tunes common in jams, like “Blackberry Blossom,” “Bill Cheatham,” “Whisky Before Breakfast,” “Salt Creek” and so on, number in the hundreds.  And there are different ways they are played.  Anyone wanting to learn guitar, and especially folk and bluegrass music, does well to practice these tunes until the most common 30-50 of them are familiar to you.

The most powerful truth about “fiddle tunes” is that they were originally not for performing but playing together and dancing.  In other words, they were communal.  It was something people did before blood-spurting video games, cruising the next and texting, all solitary expressions that tell who we are.  Modern Airports are museums of eccentric anonymity—looking at their screens and ears plugged with those ubiquitous white Apple ear deafeners.  Lots of people carrying instruments somewhere, but not a dern one of us pulls it out of the case and gathers new friends to pick.  Shame.  It would sure help us forget how much we hate the airlines.

When you jam, you shoot for fun and participation, not showing off.  Off course, plenty of the latter happens, but it’s better if you don’t go for it.  Showing everybody else up is, well, obnoxious, same as in regular life.  It’s like beating your two year old in basketball.  And it proves what?

Anyway, the world of this music is a world of sharing, courtesy, respect and encouragement.  Not mostly about showy breaks, but all things decently, in order, and as widely involving as possible.  I’m reading Blue Ridge Music Trails of North Carolina, and in it, the author cites the “Ten Commandments of Jamming” by Laura Pharis.[i]  Here they are, in case you decide to gather a quick jam at the airport next time so it can have a smidge of humanity amid the sterility of moving masses on the flying tubes.

1. Thou shalt not forsake the beat.

2. Thou shalt always play in tune.

3. Thou shalt arrange thyselves in a circle so thou mayest hear and see the other musicians and thou shalt play in accord with the group.

4. Thou shalt commence and cease playing in unison.

5. Thou shalt stick out thine own foot or lift up thine own voice and cry, “This is it!” if thou hast been the one to begin the song, this in order to endeth the tune, which otherwise wilt go on and on forever and forevermore.

6. Thou shalt concentrate and not confound the music by mixing up the A part and the B part. If thou should sinneth in this, or make any mistake that is unclean, thou mayest atone for thy transgression by reentering the tune in the proper place and playing thereafter in time.

7. Thou shalt be mindful of the key of the banjo, and play many tunes in that key, for the banjo is but a lowly instrument which must be retuned each time there is a key change.

8. Thou shalt not speed up nor slow down when playing a tune, for such is an abomination.

9. Thou shalt not noodle by thine ownself on a tune which the other musicians know not, unless thou art asked or unless thou art teaching that tune, for it is an abomination and the other musicians will not hold thee guiltless, and shall take thee off their computer lists, yea, even unto the third and fourth generations. Thou shalt not come to impress others with thine own amazing talents, but will adhere to the song, which shall be the center around which all musicians play.

10. Thou shalt play well and have fun.

 Far as I’m concerned, ought to send it to the United Nations, Congress, and the G8.  Some good jamming would resolve many of the biggest diplomatic crises of our time.  Look at the dictators and  tyrants of history.  You wouldn’t find a banjo or mandolin within a mile of ‘em.  That’s where the problems started.  As the late Briscoe Darlin once said on Andy Griffith, “You got time to breathe, you got time for music.”  Or, a man that ain’t got time to pick a tune, well, he’s trouble waitin’ to happen.”  Stay back so the explosion doesn’t get you.

 


[i] Pp. 161-162, Hannah Allen is a contributing writer for the North Carolina Arts Council blog, NCArtsEveryday,

 

Love and Sorrow Mingled Down in Newtown: A Sermon Preached on the Third Sunday of Advent

A voice is heard in Ramah, weeping and great mourning,

Rachel weeping for her children and refusing to be comforted,

because they are no more.

Friday morning, I got up early.  I had a doctor’s appointment later, then a short appointment at the church and then the rest of the day I took off, as it was my normal day off.  I’m an early riser, and a lot of time I take time early in the morning and late at night to indulge myself in music, one of the places, along with my family, of deep joy for me.

Today is the Sunday of Joy in the Christian calendar

Greg Womble and I sat weeks ago and recorded a little improvised song with drum and banjo, a somber, modal-blues piece.  Friday I decided to finish it early in the morning, so I listened, feeling the mood and ideas that suggested themselves.  I heard bass and light guitar lines in it, so I recorded them, then sat back to listen.  The result was full, dark, somber, sad—perfect Christmas song.  What on earth should I name it, since there are no words?

A Bible text bubbled up that fit the mood.  I took the title, and sent a little email to Greg with the finished product.  And here is what I wrote:

“Greg:  I edited the song you and i did and added bass and light guitar.  The mood suggested a title for the piece:  “Weeping in Ramah”   CLICK TO LISTEN   from Matthew 3:18, after the slaughter of the innocents  What do you think?

 “A voice is heard in Ramah, weeping and great mourning,

Rachel weeping for her children and refusing to be comforted,

    because they are no more.”

 Then out into the day, doctor, a meeting at the church, then home.  Only then did I hear the terrible news about Newtown, Connecticut, a town not all so different from ours.  I had a weird feeling—I looked back at the email I sent, read online what time the events of Friday morning transpired.  The moment when the verse came to mind was the same moment the deranged young man began his short day of darkness.

I was struck by the weirdness of that juxtaposition.  Me, sitting in comfort and safety and boring routine, even Christmas shopping, and at that very moment, something unearthly, unimaginable. Read the rest of this entry

Visitor to Virgin Pines

Scene from the movie

I have dipped my first toe into soundtrack creation for a movie.  My bandmate, Greg Womble, has written and produced a beautiful short Christmas film and is in the final edit stage of his short Christmas film, “Visitor to Virgin Pines.”

Our band was invited to do music for it, and I have to say, it is one of the most interesting undertakings I have ever done.  Mostly late at night, I sat with a banjo, guitar, mandolin, even percussion, and tried to create “moods” for scenes.  I have enormous appreciation for what people who do this face.  And yet, it is joy to do it.  I came up with some really nice instrumental stuff, not all of it chosen for the musical, but which may land in a Christmas CD.  Here’s a piece I did on the banjo called “Sugarplum Ferries” (yes, I know.  I spelled it the way I wanted to–I had the image of little boats going back and forth loaded with goodies).   “Sugarplum Ferries” Read the rest of this entry

Mary, Springsteen and Nietsche

 NRSV Luke 1:46 And Mary said, “My soul magnifies the Lord, 47 and my spirit rejoices in God my Savior, 48 for he has looked with favor on the lowliness of his servant. Surely, from now on all generations will call me blessed; 49 for the Mighty One has done great things for me, and holy is his name. 50 His mercy is for those who fear him from generation to generation. 51 He has shown strength with his arm; he has scattered the proud in the thoughts of their hearts. 52 He has brought down the powerful from their thrones, and lifted up the lowly; 53 he has filled the hungry with good things, and sent the rich away empty. 54 He has helped his servant Israel, in remembrance of his mercy, 55 according to the promise he made to our ancestors, to Abraham and to his descendants forever.” 56 And Mary remained with her about three months and then returned to her home.

The first signs of the incarnation in the Christmas story is the moving of a child in a womb, a blessing before a birth, a declaration of faith, and a pregnant mother singing.  This is, for Christianity, the hope of the world.

Perhaps the greatest critic of Christianity in the last century was not anyone that most average people know, but his arguments lasted until this day.  The philosopher Nietsche attacked Christianity because of its adoration of humility and weakness.  It was, he said, “the transvaluation of all values,” by which he meant that Christians adore all the virtues that lead to the collapse of humanity.

Perhaps our failings, along with our founding faith, Judaism, was a God who felled the mighty.

Christianity, declared Nietzsche, is the vengeance the slaves have taken upon their masters. Driven by resentment, “a resentment experienced by creatures who, deprived as they are of the proper outlet of action, are forced to find their compensation in imaginary revenge,” they have transvalued the morality of the aristocrats and have turned sweet into bitter and bitter into sweet.

"The Annunciation" by Carravagio 1609

Who is right?  Mary or Nietsche?  Is it power and will and human pride or humility and the song of the outcasts?  Nietsche’s song is the song of children in competition:  “I’m better than you-ou, I’m better than you-ou.”  “Nanny, nanny, boo boo.”

Mary’s song bears some study for us.  We sing things that come from the deepest places in us.  Some people are ashamed to let their songs be heard, so they only sing them in their cars alone, or in the shower, but they sing.  To sing is to release our rational minds and come from our hearts and center.

The question is, “Which song?”

I got an interesting CD several years back entitled, “The Seeger Sessions.”  It’s a real turn for Springsteen—no rock and roll, acoustic, folk songs, and simple.  It was a humbling experience for him to sing, because that rock-n-roll voice don’t sound the same without that wall of sound-a-round.    It’s real, vulnerable, human, even though Bruce has a lot of instruments around him.  It’s an interesting and wonderful experiment.

One of the haunting song there is an old Spiritual that revived in the Civil Rights days called “O, Mary, Don’t You Weep, Don’t You Moan.”  It sounds very New Orleans early jazz-ragtime on Springsteen.  If you want the old full mass choir gospel version, catch Aretha Franklin and choir in 1972 on “Amazing Grace.”

The Seeger Sessions

The “Mary” in that song is actually Miriam, the sister of Moses, who witnessed the miracle of the Exodus on the shores of the Sea when Pharoah’s armies were pursuing the fleeing band of former slaves to kill them.  In a miraculous moment, the waters crash in upon the chariots and soldiers, vanquishing them.  It is the birth of the nation of Israel, their saving event.

The lesson of that moment was, “It is not you who creates the nation, but only God.  Never forget that you, too, were powerless slaves in Egypt, but God, the merciful, delivered you.”  Miriam sang, according to the book of Exodus:

 NRS Exodus 15:20-21  Then the prophet Miriam, Aaron’s sister, took a tambourine in her hand; and all the women went out after her with tambourines and with dancing.  And Miriam sang to them: “Sing to the LORD, for he has triumphed gloriously; horse and rider he has thrown into the sea.”

For over three thousand years, we’ve remembered that song, the pure joy of being saved when you thought it was all over.  They had no weapons, no strategy except their faith in a mysterious God who promised.

That song re-emerged in the sufferings of poor black people in slavery in this country, then in their Christian musical tradition.  One of my personal favorite versions is of blues singer Mississippi John Hurt singing in in his recordings in the 1920s.  Then it re-emnerged as a folk favorite in the 1960s, though Pete Seeger, but Mississippi John Hurt’s is my personal favorite.

That same song resonates with Hannah and with Mary.  It is the song of those who have nothing except God to count on.

Two women here—Elizabeth, who cannot have a child and God gives her one.  Mary isn’t ready for one, but God gives him to her anyway.  Mary is exultant not about something she wanted more than anything, but something she hadn’t even thought to wish for but God chose her to give the gift.

Mary’s song connects to the whole of scripture.  But deeply rooted here is a stirring truth—she sees the “turning upside down” of all values in the world.  The nobodies are somebodies to God.  The forgotten are remembered.  The lost are found.

Nietsche attacked Christianity for this very point as a “religion of weaklings.”  One might say that given the church’s track record, we haven’t always felt too strongly about it, either.  For we are constantly tempted to forsake the kingdom of Jesus for the seductions of Caesar.  If we remember to give to the poor we are mighty quick to put the rich on our budget committees and seat them at places of prominence.

Scholars increasingly have doubted that Mary composed this song.  Wouldn’t you know it?  One of the few women in the New Testament to author something and we’ve taken it away with scholarship!  One seminary professor has observed three profound truths about this song of Mary’s–

  1. We’ve “spiritualized” the Christian life, making it only about our feelings and emotions, but God is concerned for all of human life, including social justice and physical needs.
  2. We carry out his kingdom mission within a culture whose values are at odds with his values.  If the shadow people are God’s focus, how can we be Jesus in the world if they are not our focus?  Baptism is not a rite of passage but an initiation into discipleship and membership in a counter culture.
  3. True worship is a spiritual preparation and entry into the agenda of God for our lives and the priorities of God for our lives.

Of course, the question is, “Does this mean exchanging one group of people in control for another?”  And the answer is, “No.”  What we need is not the same game with different players, but something that is beyond what we currently know.  Walter Brueggemann has called it, “The Song of Impossibilty.”

But the beginning of any real change is in the imagination.  To believe that my life could be different, that I could live another way, that there is hope where I see none.

Reinhold Niebuhr, the famous Christian ethicist of last century, sought to answer Nietsche.  He said, “Yes, you are right.  Christianity DOES turn the values of the world on its head.”  Niebuhr wrote:

The Christian faith is centred in one who was born in a manger and who died upon the cross. This is really the source of the Christian transvaluation of all values. The Christian knows that the cross is the truth. In that standard he sees the ultimate success of what the world calls failure and the failure of what the world calls success. If the Christian should be, himself, a person who has gained success in the world and should have gained it by excellent qualities which the world is bound to honour, he will know nevertheless that these very qualities are particularly hazardous. He will not point a finger of scorn at the mighty, the noble and the wise; but he will look at his own life and detect the corruption of pride to which he has been tempted by his might and eminence and wisdom. If thus he counts all his worldly riches but loss he may be among the few who are chosen. The wise, the mighty and the noble are not necessarily lost because of their eminence. St. Paul merely declares with precise restraint that “not many are called.” Perhaps, like the rich, they may enter into the Kingdom of God through the needle’s eye.

I tell you this:  it is not in our power that we are ever greatest, but in our kindness and compassion.  Without these, we are reduced to the law of the jungle and the survival of the strongest.  A society that worships only power is a society that will one day devour itself.  Greed without stewardship becomes only self-absorption.  Eventually, there is nothing sufficient to satisfy us.  Power without service to others ultimately becomes what we have witnessed since Nietsche’s day—mass extermination and continuous war without peace and security that we continually fight to find.

We find ourselves still mired in the values of the old world.  We seek security by power and it eludes us even more.  We just officially ended the Iraq war, ten years and, conservatively, $709 billion, not to mention 4287 dead and over 30,000 wounded.

We have created entire television shows about people who collapse morally under the weight of success into drugs, addictions of various sorts and self-disaster.  The way of power is not a way that will bring happiness.   The way of power is not all that great when we see the damage left in its wake.

The church is not exempt from this way, either.  We have worshiped the Mary who sang this revolutionary song, but we have more often preferred the methods of the world it undermines—power, influence, wealth and prosperity.

If I have to choose this Christmas, I choose Mary’s way.  I realize that as I do that I, a prosperous American pastor living a privileged lifestyle in a comfortable place, immediately affirm values that undermine my way of life.  It is to choose a way that will never let me be completely at ease.

But the alternative is worse.  If I cannot immediately become one of the poor and forgotten of the world, I can let them into my heart as an act of my love for Jesus.  I can be “poor in spirit,” as Luke put it, and pursue the way of humility and self-forgetting and generosity to others.  I can follow the journey of surrender of my stubborn will and seek to obey the agenda of God in what I buy and how I live.

Mary’s song and Miriam’s song and Hannah’s song and the songs of the early Christians live on.  When we sing them, we sing hope—that our lives can be different, that we can prevail with God’s help over all that is worst in us, that we can persevere in the struggle with our own failings.  We might change the patterns of the past.  We might find healing and health.  We might make a difference in the world.

O Mary, don’t you weep, don’t you mourn
O Mary, don’t you weep, don’t you mourn
Pharaoh’s army got drowned

Mississippi John Hurt

O Mary, don’t you weep

Well if I could I surely would
Stand on the rock where Moses stood
Pharoah’s army got drownded
O Mary don’t you weep

One of these days about twelve o clock,

This old world’s going to reel and rock

Pharoah’s army got drownded
O Mary don’t you weep

When I get to heaven goin’ to sing and shout
Nobody there for turn me out

Pharaoh’s army got drowned

O Mary don’t you weep

Do we have any idea what we’re singing?

 SOURCES:

  •  Brown, Raymond E., “The Annunciation to Mary, the Visitation, and the Magnificat,” Worship, 1988.
  •  Burghardt, William, S.J., “Gospel Joy, Christian Joy,” The Living Pulpit, 1996.
  •  Lovette, Roger, “A Vision of Church,” The Living Pulpit, 2000.
  •  Martin, James P., “Luke 1:39-47, Expository Article,” Interpretation, 1982.
  •  Miller, Patrick D., “The Church’s First Theologian,” Theology Today, 1999.
  •   Taylor, Barbara Brown, “Surprised by Joy,” The Living Pulpit, 1996.
  •  Trible, Phyllis, “Meeting Mary through Luke,” The Living Pulpit, 2001.
  •  Wilhelm, Dawn Ottoni, “Blessed Are You,” Brethren Life and Thought, 2005. Poetry.