Stories and tales from a guitar-picking writer, theologian, speaker, blogger and entertainer. From small town quirks to the bizarre realities of family, whacky church life and slightly damaged kinfolk, insights from a reluctant son of the South takes you along. Never know where it’ll end up but it’s sure to be worth the trip.
Some years back Vickie and I vacationed near Boone, NC, home of Doc Watson. We stayed in a place with a view of Grandfather Mountain and traipsed around in the Smokies for a week. It was great. We ventured over to Wilkesboro, NC where the events remembered in the old murder ballad “Tom Dooley” happened. There are many versions of the story and many versions of the song, but here is a more traditional one I recorded a few years ago more in the style of Doc.
Read a most interesting piece on the migration of lowland Scottish people to Appalachia via a stay and invitation to leave Ireland for the new world. Fortunately they brought their music with them and a century later, thanks to their geographical isolation, they had preserved it almost without alteration. Because they were from the lowlands of Scotland, they emphasized the fiddle rather than bagpipes, for which we may be grateful. The highland pipes are wonderful, but you can’t listen to a two hour concert of them. They’re like the accordian–better confined to Lawrence Welk reruns or background. (Yes, I know the old definition of perfect pitch–you through the banjo into the dumpster without touching the sides and it lands on an accordion).
At any rate, these fierce, independent mountain people of the South were hard working, resentful of interference and suspicious of outsiders. And occasionally murderous. Wilkesboro was the capital of the moonshine runners who eventually took their souped up cars and started NASCAR. “Family Feud” was not a television show. It was a matter of honor and violence.
Thank goodness the territorial domination of men over women is no longer the same among intelligent people, but the song is a memory of a time when things were a certain way and shame was powerful. You may have heard the Kingston Trio’s version or any of a hundred folkies in the Sixties. I was attracted to that version when I started playing, but I like this one better.
In Wilkesboro they put on an outdoor drama every summer of the story of Tom Dooley and the murder of poor Laurie Foster. It starts with a Civil War re-eneactment, allowing the men and boys to shoot off blanks for way too long with almost no relevance to the story advancement, but it’s great fun. We waited out a downpour to see it, and had a great time. It’s a sad story and justice was severe in those days, but at least there were concessions. It’s worth a see. Take some earplugs.
Maybe it’s true what Elie Wiesel told us–to forget our sins is as great a transgression as to have committed them in the first place. Remembering and grieving are essential to healing.
This song speaks for itself. It came to me during the summer. The hook was a quote from a news story at a disaster scene, but my mind was on people I loved and knew who lost children. Their stories are the most courageous I have ever met. That they still have any faith at all after such losses is perhaps the closest to real miracles we ever see.
It’s such a long, hard road. In my vocation I traipse alongside unimaginable losses, but children are the hardest from my perspective. It is the loss of love so intense, the loss so against our DNA, that a person’s world is shattered. But they keep going, somehow.
This is on our forthcoming new album. This particular track features my friend since high school, Paul Harmon, a phenomenal musician from the Boston area, along with fiddle work by Mark Weldon.
From Here to Okay Gary Allison Furr
1. I was telling my favorite story when I heard a knocking sound It was my neighbor. He said, “You’d best sit down” I never finished that story. I’ll never tell it again.` The clock on the wall said 7:10.
2. I’m lost and so angry. She’s just sad all the time, The shadows go with us everywhere. Now and then for a while we still act like we used to, But we still can’t move that empty chair.
CHORUS: It’ll be a long time ’til we put it behind us Just sit with me. There’s nothing to say. Walk with me a while in the valley of grey It’s a long way from here to okay
So thank you so kindly for asking about us And for the fine food that you brought But please take back home the reassuring words you offered, It’s not easy answers I’ve sought
Some cope with a bottle, and others with a pill, Some sit in a circle and pray for God’s will, But nothing on earth fills the hole left inside By a love that was once so alive.
CHORUS: It’ll be a long time ’til we put it behind us Just sit with me. There’s nothing to say. Walk with me a while in the valley of grey It’s a long way from here to okay
credits
released November 18, 2020 lyrics and music by Gary Allison Furr BMI all rights reserved.
Gary Allison Furr-vocals, guitar Mark Weldon—violin Paul Harmon—electric guitar, piano, percussion, bass, drums
Sometime I will have to gather my thoughts about this breathtaking revolution that has been forced on us in the larger context. Mine is one local congregation of people with whom I’ve been for twenty-seven years come July. Things always change, but this one has been especially momentous. Others have had enough to say, but I’ve observed a few little beams of light in the dark. Consider these:
Churches forced to innovate everything we do. How appropriate that Holy Week would be the big test. And the people are still there. Turns out that little rhyme we did with our hands as a kid had something to it. “Here’s the church, here’s the steeple,” (fingers interlocked and hands folded, index fingers joined in a spire.“Open the door,”and you’d unfold your hands and wiggle your fingers, “and there’s the people.”
I see a lot of cooperation, humility and mercy down here on the ground level.
Leaders rise up in the worst of times. Anybody can lead in good times. Only in the crises can you tell the difference.
Imagine that Christianity in a short while has had to watch the burning down of the Cathedral of Notre Dame and Vatican Square empty except for a blind man singing “Amazing Grace” on Easter Sunday after the Pope stood there alone. But people sang “Amazing Grace” all over the world Sunday.
People sewing, volunteering, sacrificing and praying harder than usual. Constant cheering and appreciation for our medical workers. I often pray when I go to a hospital (I miss that right now), “Lord, we know that you’ve given us wisdom and medical knowledge so that these doctors, nurses and workers do every day and routinely what Jesus did miraculously.” Healthcare is a daily miracle. We just appreciate it more right now.
Being away from people we love makes us yearn for their presence and anticipate the first time we can see one another. You can feel it all the way into prayer.
The earth has been given a sabbath of human activity. Sea turtles in India are flourishing during our quarantine, and people can see the Himalayas from a hundred miles away for the first time in years. We ought to remember what we’ve learned.
Of late, not only in my ministry work, but through the connections of social media, I have been highly conscious of the processions of sorrow that go on around us in the midst of life. In my work, we are walking near every kind of brokenness and sorrow in the world every week, then trying hard to stand up and proclaim hope on Sunday.
Brokenness comes in so many different forms, but it all shares one truth–suddenly we are in a room with no walls to keep predators out, no roof to shield us from torrential storms, no floor to stop us from going down. WIth that comes temptation to panic, that we might absolutely burst from the heaviness of it all. It is here that faith matters most if it matters at all.
This prayer is from my 2015 book, Poems, Prayers and Unfinished Promises. It was a prayer given originally as an invocation to a performance of the Requiem by John Rutter. If you are in that place, perhaps it would be of some encouragement today.
We came here tonight to wait and to hope
That tombs and sorrow and death and loss
Are only prelude
To seek the Living shepherd,
Beyond our doubts, beyond our fears,
From death into life.
We wait faithfully
Hoping that
You might meet us in our gardens of sorrow as you met Mary,
We wait for unexpected visions in the midst of our tears.
And for you to come to us
As you came to them behind the locked doors of fear
Fifty years ago this week, Martin Luther King’s life was frozen in time for the whole world. His words keep living, his story keeps being told, and the events of his life are examined again and again. It is not that time any more. The pain is more diffuse, spread into new struggles for equality and justice.
It is worth marking the remarkable changes that have happened in that fifty years. We can go to any restaurant and drink from the same fountains. A lot of things are better, much better. But the pain he saw is still in the world–the pain of something not finished, a hope not yet realized, a brokenness needing mending.
The deepest wounds heal from the inside out, and only with the greatest of care. There will be setbacks and infections and discouragements, but there is still much reason to hope and keep trying.
I once attended the Unity Breakfast on Martin Luther King day here in Birmingham and heard Diane McWhorter, whose book Carry Me Home recounts the impact of those momentous days of the Civil Rights struggle on the world. Whenever someone “remembers” how something was, it invites us to remember it from where we were at the time. I remember the civil rights era in the South, but it was not from the vantage point of an adult in the middle of Big Issues, but as a child growing up in the South.
I remember going on a hot Sunday afternoon with my father to the home of an employee. She happened to be African American. Her family member had been killed in a train accident, and my father believed that the proper and respectful thing to do was to go by to see the family.
I remember waiting in the car while he went in, a little boy watching out the window to see people who also lived in Clarksville, Tennessee, but a very different Clarksville than the one in which I lived. I had never noticed that their children didn’t go to school where I did, or that we never ate in the same restaurants, or that we barely came across one another. This separation made my trip all the more startling. It was as though I had stumbled onto a hidden cave where an entire civilization hitherto unknown to me had taken residence.
I watched people come and go, just like in my community, bringing food, dabbing their eyes, dressed in their finest. Men tugging at their collars in the hot summer air opened the door for their wives in hats to go in with the bowl or dish. It was impressive, this little world to which I did not belong. People laughing, people smiling, people crying, just like us. But not with us.
I took in the strangeness, but something stirred even deeper in me. I saw my father speaking to them, as he did to everyone, with respect and courtesy and manners. I hear people telling tales from the sixties about marching and protesting. I have no tales like those. I was young and oblivious to the invisible walls of separation. But I do remember my father treating everyone the same, kindly, decently. His employees seemed to think they all counted the same with him. He never lost his temper that I knew of, or swore or cursed at people. Just treated them alike.
My examples were different from those dramatic and provocative ones. My family mostly watched the struggle on nightly television with the rest of the world. We worried, shook our heads, weren’t too sure how it would go. We were not allowed, though, to use epithets and inflammatory words about other races.
It takes struggle and often conflict for change to begin. But there is also the task of taking change in and absorbing it, making it livable and practical and something that can happen every day without incident. It is one thing to change laws. It is another to elicit the consent of people to those laws. And quite another to live out their spirit every day. It means using words carefully, for the purpose of telling truth, not perpetuating our own version of it.
The whole world was changing before my eyes, in ways I did not understand and would not understand, but the example of my father’s kindness did sink deep in me. And I wonder about the eight year old boys and girls among us. What are they seeing? How are we doing? Is there something impressive enough in the way we are living life to sink deep in their souls and stay with them until they are adults?
In something as simple and apparently random as going by someone’s house to pay respects, in doing what is decent and right and good, you may be causing a quiet revolution in someone who is watching not only what you do, but how you do it. Someone is watching, always. So write the script you want remembered. It will live on after you for a long time, for good or for evil. I was one of those little white children that Martin Luther King dreamed about.
So I am going to do every little thing I can to not be afraid, to make friends, to pay my respects, and teach my children and grandchildren that there’s room for everyone at God’s table. Everyone.
I remember those times with a song I did on my first CD, “Lorraine.” It was inspired by my first visit to the Civil Rights Institute in Memphis, which ends at the balcony where Dr. King was murdered by fear and hate. But I like to remember what outlives fear and hate: hope and kindness and the hope of a better day.
the door,” and you’d unfold your hands and wiggle your fingers, “and there’s the people.”
epithets and inflammatory words about other races.
The Flatpickin' Pilgrim's Progress 