I have a modest guitar collection if you compare to some. Each instrument I have and play, though, is as unique as a child. Each has its own “voice,” and no two instruments are exactly alike, even if they are identical models. Each piece of wood sounds a little different from all the others. You learn this if you are a serious player.
Instruments have their oddities, too. Sometimes, tuning is not precisely right on every fret, or the “feel” of the instrument varies. Some applies to guitars, violins, banjos, mandolins, any instrument of wood and wire. This eccentricity, like that of human voices, is a source of delight, not frustration. The reason I generally hate a lot of electronically created music is the sameness of it.
Human voices are like that. I like gravely voices, deep voices, angelically soft voices, and raspy voices. Each voice expresses who that human being is, at least in part.
My very first guitar of my own was a Yamaha FG-230 Twelve String guitar. My parents got if for me for Christmas of 1971, I think. I had started playing music with two great friends who were musicians.
Both would go on to professional music careers, one still in it. My friend Woody had a Hoffner bass like Paul McCartney played in the early Beatles’ music, but that year got a Fender Jazz bass. Paul, who already played a Fender Telecaster like a pro by age 17, got a Yamaha six string the same Christmas. We both loved old country music and bluegrass. Paul introduced me to everything else in the world–he liked all kinds of things, from Grand Funk Railroad to Dillard and Clark to the Incredible String Band.
We were writing songs and Continue reading A Guitar for Christmas
The Flatpickin' Pilgrim's Progress 