“Just a Little Talk With Jesus” is a famous old gospel song. Last night, our band, Shades Mountain Air, had a grand time at the American Gospel Quartet Convention in Birmingham and sang this crowd favorite. I knew that it was a song that black and white audiences in the South had shared since it was written. It’s been covered by just about everybody—Bill Gaither, Elvis Presley, the Stanley Brothers, and innumerable mass choirs, quartets and Sunday night gatherings around the piano in little country churches. (click this link to listen to the song by Shades Mountain Air)
It’s so heartfelt, so soulful—are you in trouble? Look in and up—just a little talk to Jesus will make it right. This song first found me in my seminary church, where I was minister of music and youth (a lofty, long title for a part-time staff member in a blue-collar white church). My church was southern, small-town North Carolina Southern Baptist folk, barely scratching to stay above the black folk in the town—marginal at best. Ever Sunday night we gathered around the piano and pulled out our “Number 8s” our name for the red songbooks we loved full of familiar gospel music. Anyone who wanted to be in the “kwarr” (choir) would gather with us, and people would call out a favorite. “My God is Real,” was the one Mr. Jernigan always requested. “They Tore the Old Country Church Down,” “Whisper a Prayer,” “Troublesome Times Are Here,” Mansion Over the Hilltop,” “If That Isn’t Love,” “Hide Me, Rock of Ages,” and, of course, “Just a Little Talk with Jesus,” because the bass singers got to show out.
I’ll never forget the day that a black family showed up at our church door and one of the men sent his little boy back to tell them they couldn’t come here. I tried to get the church to put up a basketball goal in our parking lot for the little black children who were always playing when we drove up for Sunday night church. But it was 1978, and our world was cracking but the walls hadn’t come down. I lost my first church vote of my career as one family who barely came to church brought their entire extended clan to vote my proposal down. It was a hard lesson for a 24 year old future preacher.
It was our little church, where we came for comfort. We didn’t want change, just the comfort of “a little talk with our
Jesus.” Lawd, we loved that song. What a trip to find out that this white gospel favorite was written by an African American composer named Cleavant Derricks.
The website “Southern Edition” has a fine biography about Rev. Cleavant Derricks. He was a wonderful musician who was born in Chattanooga in 1910 and had a stellar career as a minister, musician and pastor. A gentle, kind man, his songs were sung by tens of thousands. The website says that
The same songs that ministered to impoverished blacks enduring discrimination in the Jim Crow South spoke to the hearts of disadvantaged whites whose lot seemed similarly dismal due to hardships spurned on by the Great Depression and the World War II years. Like Dorsey, Tindley and Morris, Derricks would write songs that addressed daily hardships, praised a loving, sustaining God and spoke of the heavenly reward believers would gain following their labour on earth. Butler adds, “And, too, his songs were sung in the Pentecostal churches back in those days. Those people were considered the poor class—you know, the common man. They were struggling, and so his songs were accepted very rapidly because they did have that hope.”
Butler points out that “most people didn’t know [Derricks] was a black man when his songs first started being published by Stamps-Baxter.” James R. Goff Jr. concurs in his book, Close Harmony: A History of Southern Gospel, stating, “With an unmistakable influence from the shape-note convention arrangements and a style that often featured the bass part on the chorus, Derricks’s songs found their way into Southern shape-note hymnbooks, though few in the South would probably have guessed the author’s racial origins.”
The colossal stupidity and sinful ignorance that was racism kept us apart, but music and common suffering ignored what our systems and conscious minds erected to supposedly “protect our way of life.” We always were one and the same. Thank God we at least sang his songs. So today’s song, in honor of Rev. Derrick, is “Just a Little Talk With Jesus.” Thank God Almighty, we are further down the road to being “free at last.” Free to love one another and sing the songs of Zion.
The Flatpickin' Pilgrim's Progress 