If you don’t know who Ricky Skaggs is, then you really don’t know anything about bluegrass and old-time music. It’s important to distinguish those two terms. “Bluegrass” technically didn’t exist before the 1940s. It was literally invented as a form by Bill Monroe, recasting the traditional old time music of his Kentucky and Appalachian roots with a new sound built around his unique mandolin playing. The mandolin took a new role as a centerpiece performing lead instrument in
Monroe’s vision. He was truly a unique American music phenomenon.
Monroe inspired an entire generation of musicians and his influence lives on in all the varieties of bluegrass, newgrass, swing, jazz and a hundred other variations of playing involving the mandolin, but no one has embodied that variety more than a kid from Kentucky named Ricky Skaggs. His father started him out with a mandolin around age 6 and before he was out of his teens, he played on stage with Monroe himself, with childhood buddy Keith Whitley, Flatt and Scruggs and toured with the Stanley Brothers.
Bluegrass and its predecessor, the “old time” music, that was originally the dance music and music played in homes and small communities of the South that had traipsed across the Atlantic from the border regions of Scotland through Ulster and Ireland as immigrants to the New World, settling in the mountains of the South. They brought with them the instruments of their folk music, and it underlay their common life for generations. Like all immigrants, their music was a powerful identity that helped buffer them against the hardships of fitting into a new and strange country that did not always want them.
Like all people, the love for their children motivated their work, way of life, and the sharing of their music. Today, like few other music forms, you will see men in their eighties at a bluegrass festival sitting in a circle jamming with teenagers strumming guitars and 6 year old fiddle and mandolin players. Ricky Skaggs was one of those children.
It gives hope to look at our children and imagine what they might do. They are not jaded yet by our own deep prejudices and ignorant opinions
about “how it is.” So today, I share this video I came across of little RIcky Skaggs, age seven, playing on television with Lester Flatt and Earl Scruggs. Teach your children well. And maybe their elder’s failures will give way to something wonderful, unexpected and new.
Doesn’t conflict at this moment in Lent to me at all, when we are wringing hands, troubled in mind, struggling with hope and anxious to the gills, to pick up my mandolin at home, play a tune, and feel something lift out of the room. Wherever that sound came from (and as a man of faith, I think I know), it says, “There’s still something unexpectedly beautiful up ahead. Go on, and don’t give up.” If you don’t know any seven year olds, I suggest you enlarge your life and bit, get out of yourself, and look for hope in the strings and paintings and delightful voices of the young.
For every album download sold during January-March, I will give $5.00 to the Coalition toward its project of an app for mothers and children to use for help! For every single sold, I will give .50 cents! Enjoy some music and help out a great project! Tell a friend and help us fund a project
Buy link: GARY FURR MUSIC
I am spearheading a new Alabama Coalition for Healthy Mothers and Children. The coalition, formed in 2016, is comprised of a group of healthcare, medical, faith, academic and para-health organizations and leaders who seek to collaborate their efforts to better serve the needs of mothers and children in Alabama. The Alabama Coalition for Healthy Mothers and Children offers a robust networking system for better efficiency of programs through partnerships and support as well as a powerful force for advocacy for these families. We seek to be a voice for those who are often disconnected from help, and build partnerships across the usual lines of specializations, religious affiliations and other ways that sometimes lead to isolation or lack of awareness.
Right now we are undertaking to create an app to be given away in our state that helps young mothers with infants and young children find the many organizations that stand ready to encourage them and give assistance to give their child the best start possible. We are raising funds for the creation of the app and for the internships to gather the information. There are two ways you can help. First, if you’d like to simply give something, you can donate through our PayPal button. Second, for the months of January, I’m offering to give all income from my songs to the Coalition to help spark our drive. Go to my downloads here and buy a song for $.99 or a CD for $6.99-8.99 and $5 from CDs and .50 cents from songs goes straight to the cause. You can help me by asking a friend to “buy a song for kids.” Read the rest of this entry
Shades Mountain Air on “Dugger Mountain Music Hall,”
ALABAMA PUBLIC TELEVISION (APTV) Tuesday, June 27 at 10:30 pm
Back in May, Shades Mountain Air (myself, Nancy McLemore, Don Wendorf, Greg Womble and Melanie Rodgers) loaded up and traveled to Dugger Mountain Music Hall in Piedmont, Alabama. It sits in as unlikely a spot as the crossroads where the boys in “O Brother Where Art Thou” picked up Tommy Johnson on the way to Tishomingo. DMMH came from the vision and ministry of Bob McLeod, a talented and charismatic former professional musician and studio engineer. Following a profound personal spiritual crisis, Bob McLeod began to seek to minister to people in trouble–in prisons, jails, streets, and those caught in addiction.
Eventually he established Dugger Mountain Music Hall as the public face of Our Father’s Arms, where they take in people in need of help. He describes the place as “a Christ centered family.” It is located in the middle of open country north of Anniston, Alabama in a former Baptist church that had ceased to exist. The building was given to him for a ministry, and he brought together his love of music with the ministry. Fast forward, now the facilities include a 30 acre farm with a home for men; a 3 acre home nearby for women, mothers and their children known as Eagles Nest; and a state-of-the-art recording studio, offices, fellowship hall and the Dugger Mountain Music Hall. In 2010, the television program was born. On the nights of performances, they open the doors to welcome the community, enjoy supper and bands and performers, some touring through and others from nearby places in Alabama, perform. Read the rest of this entry
Writing songs started for me at age 16. I have been singing, though, all my life. I sang in church, hummed to myself, started plucking guitar and piano and anything else with strings. Somehow marrying melody with words came naturally. I would memorize tunes and never forget them. So it was not completely foreign to me when I started trying to do it intentionally. I have so enjoyed in recent years the experience of learning, crafting, writing and performing original songs.
In recent years, I have completed three CDs. My first was permanent world of pretend, the second was Overload of Bad News Blues and the third was What it Is. Recently I remastered the second and third one and re-did the artwork. They are now available on CD Baby for purchase and download. A few weeks ago, though, I finished my newest, four years in the writing and “trying out.” It’s titled Uncle Vance’s Guitar and it centers around the title cut, based on the story of a guitar that’s been in my family. My dad and his brothers all played and sang, and Uncle Vance had a turn playing with a well-known North Carolina performer, J. E. Maynor in the 1940s. The song is about him, and about how music is a way to express and bear our lives. I hope you’ll take a listen!
Last Thursday, I had an official CD release concert in Birmingham at Moonlight on the Mountain. My good friend and fellow songwriter Keith Elder opened for me. I was joined by a very talented group of friends and supporting musicians, Brent Warren on guitars and mandolin, Don Wendorf on mandolin, banjo, drums and harmonica, Rachel Turner on bass and vocals, Mark Weldon on fiddle, and my Shades Mountain Air bandmates Nancy Womble and Melanie Rodgers were special guest artists, stepping up for some extra good work on a couple of songs.
A great crowd turned out, and now the CD is available for purchase. You can get downloads online at CD Baby by clicking here Uncle Vance’s Guitar but if you’re a CD buyer, you can order direct from me and I’ll put it in the mail to you. The cost is $9.99 plus $3.63 for shipping. I’ll bill you by email! Just contact me below!
Please join Shades Mountain Air, Drexel Rayford and Friends and Southern Harmony for a night of music in the warm, comfortable listening venue of Moonlight on the Mountain. Get a good taste of Bluegrass, Gospel, Folk, Barbershop and other musical styles in this well-known Birmingham acoustic venue.
The event is a benefit for Cognitive Dynamics, and proceeds will go to support the 501c3 foundation’s programs that improve quality of life for people with dementia and their caregivers through the arts and storytelling (for more information, please see http://www.cognitivedynamics.org/).
The cost of admission is $20, CASH ONLY. Please bring your own food and drink (except coffee), and arrive early to get a good seat (doors open at 7 pm)
For more information, please see Moonlight on the Mountain’s website athttp://www.moonlightonthemtn.com/index.html
Last year our band played for one of the Foundation’s programs. Read the rest of this entry
All Americana Night Come on, join in.
Wednesday evening, June 29, 6-7 pm
Vestavia Hills Baptist Church, Birmingham, Alabama 35216
Wednesday evening at 6 pm, at Vestavia Hills Baptist Church, we will have “All Americana Night.” My friend, Keith Elder, and bandmate Don Wendorf, will join me to lead us in singing distinctively American songs from all kinds of “roots” traditions.
Wikipedia defines “Americana” as “contemporary music that incorporates elements of various American roots music styles, including country, roots-rock, folk, bluegrass, R&B and blues.” We want to have fun, sing some songs from the traditions themselves, as well as some originals. Songs for kids to join along, a few hymns and patriotic songs, a little of everything for those who come. Hope you’ll come out.
Keith was at our congregation on a Wednesday night recentlyhere a few weeks back and did a great job on a Wednesday night. Keith has spoken and performed for over thirty years in a wide variety of church, conference, and community settings. After serving local churches in North Alabama as a youth director then as a pastor, he spent a number of years as a songwriter in Read the rest of this entry
“The genetic code of bluegrass and old time music is more sophisticated than that. It carries stories of birth, life and death in the old days. It tells of children dying young, tragic love, shame, murder, alcoholism and faith. To learn the code, no stereotype will do. You have to descend into the music and listen.”
In 2005 I took a three month sabbatical to study, pray, and feed the senses. I went to art museums, read books, went to Nashville to learn about the music industry and played at open mic at the Bluebird Café, reaching one
of my bucket list items (the ultimate would be a gig on the “Prairie Home Companion Show” while Garrison Keillor is still on earth!). But a lot of that time was “exploring my roots,” musical, theological and spiritual—which led to a week at Steve Kaufman’s Acoustic Kamp.
I’d been to the Kamp before, in Maryville, Tennessee. Unless you are a devotee of the guitar and acoustic cousins like the mandolin, the “fiddle” (violin played a certain way), bass, banjo or dobro, you don’t realize that hundreds of camps happen every year across the world where musicians gather and play and learn the heritage of “roots” music—folk, jazz, country, celtic, and so on. In these places, campers rub shoulders with the legends of bluegrass, swing, fingerpicking and new acoustic music. I met legends like Bill Keith, Clarence White, Read the rest of this entry
Johnny Cash, in many ways, lived as a prism of
the last half of the twentieth century,
at least a Southern version of that.
Johnny Cash died on September 12, 2003, going out in a blaze of recording glory with his last work, four albums titles “American I-IV”. Ever experimenting and interacting with the musical world, the series, produced with the help of Rick Rubin, was highly acclaimed. “Hurt,” and the accompanying video, appearing three months before June’s death and seven before Johnny himself succumbed to diabetes.
The brilliant video serves as a summary and eulogy for the man in black. But apparently it was not the end of his recording career. This week the world is meeting the music of Johnny Cash once again. “Out Among the Stars,” a never-released album of songs recorded in 1984, was unearthed by his son and released to the public. I just got it and am listening through.
Folksinger and songwriter KATE CAMPBELL is coming to Alabama to lead a class on Songwriting during March (21-23) as part of a weekend school on writing. If you write lyrics, always wanted to, are a performer who tours or just somebody whose been writing songs in the basement for twenty yearsa and never had the courage to sing one in front of anyone, you might enjoy coming to the Alabama Folk School’s latest offering, “WORDS, WORDS, WORDS.” The Alabama Folk School is a lovely new place to go and learn about crafts and arts of all kinds—playing the mandolin or quilting. And now, songwriting and the written and spoken word.
OK, the Grammys are over. And I didn’t watch. I am not a sourpuss who needs to pour water on people who want to make millions of dollars dressed as French mimes from Venus. Free world, have at it. I like most music, but not all. Again, your right. But me? I like making music more than buying it. I like crafting, thinking about it, playing with friends, encouraging others. I like singing with my Dad whenever we’re together. Singing in church. Singing with our band, but I like practicing even more. I love writing songs. I love learning about it, crafting, exploring something until it is “finished” (which is the hardest part—letting baby leave home!). And the best way to grow in your craft is to be around others.
The weekend event will offer a class on writing and one on songwriting. No prior knowledge or expertise is necessary, just interest. I’m sure the place will be full of people with guitars and notebooks, jamming, telling stories and swapping ideas. Maybe you have words and want to meet people with a head full of tunes. Or vice versa.
The weekend is NOT a competition for “greatest songwriter on earth.” It is a community to encourage everyone to
find their voice and grow in their skill.
There will also be a sonn-to-be announced instructor for a writing class the same weekend.
I am and always have loved the process of how books, music, ideas and people find me. Life, for the most part, is an odd assortment of intentional seeking and being found. Some people major on the former, others on the latter. Freedom and providence is what we call it in theology. Too much of either leads to bad theology and a distortion of reality. This is about “how the Milk Carton Kids Found Me.” I love music. Two of my parishioners, Kenny and Katherine Worley, love the Milk Carton Kids. I love Gillian Welch and David Rawlings. They figured, “he might like the MCK (Milk Carton Kids from now on!). So they had an extra ticket and invited me to Workplay, a great venue in Birmingham. I listened to them on YouTube, of course, but I was distracted by the handkerchief Pattengale tied to his Martin 000-15 and waved in a circular motion that reminds me of David Rawlings so much. I came ready to dismiss them as wannabes, to tell you the truth. I was so wrong. Wikipedia’s article about them describes them as:
…an indie folk duo from Eagle Rock, California, consisting of singers and guitarists Kenneth Pattengale and Joey Ryan, who formed the group in early 2011. NPR has described their approach to music as “gorgeous contemporary folk”and “Gillian Welch & David Rawlings-meets-Simon & Garfunkel with a splash of The Everly Brothers“, which fairly represents the band’s music while also appealing to the intended audience[i] Read the rest of this entry