Banjo Harmonies

The truth is, the banjo, like all the indigenous music of the South, is another of those curious shadowy meeting places of black and white people. Surely by now you’ve seen that bumper sticker that says, PADDLE FASTER—I HEAR BANJOS PLAYING.  It’s an allusion to the worst movie for the banjo’s image since the minstrel era—“Deliverance.”  Despite the wonderful “Dueling Banjos” song, which was written by the talented Arthur Smith, whom I used to watch on TV from Charlotte, NC as a boy (and who also wrote the “Guitar Boogie.”), it was an image I’d as soon forget. The banjo … Continue reading Banjo Harmonies

Grief Work in the Basement Garden 2: Songs for the Journey

I once heard someone say that Loretta Lynn described country music as consisting of three kinds of songs:  “Songs about love, cheatin’ songs, and songs about Jesus.”  That may be so, but I don’t know of anything that a good song can’t touch.  In my last post, I mentioned songs that had spoken to me in my own grief through the years.  Usually they are songs that simply “find us,” a synchronicity of expression and need.  You hear it and it unearths sorrow or whatever from the deepest part of you, puts it up where you can feel it and … Continue reading Grief Work in the Basement Garden 2: Songs for the Journey

Grief Work in the Basement Garden

This blog is drawn in part from some chapters I’m writing for a forthcoming book on prayer from Insight Press.  I’ll announce it when it is available for purchase on this site. Moments of sensitivity to God’s presence happen in the oddest places—foxholes, pinned in a car wreck, hospital waiting rooms, lying in bed when you can’t sleep.  People report God’s presence when life is unraveling, but also sitting on the porch on a quiet afternoon.  Holding a baby.  Counting blessings.  Waking up and drinking coffee.  Chance encounters.  Prison cells, torture rooms, earthquakes and financial ruin.  A meal with friends, … Continue reading Grief Work in the Basement Garden

The Songs Remember When: Part I

“The Lord…gave me these sounds.” 

Oliver Sacks is a British-born neurologist whose maverick investigations inspired the Academy-Award winning movie, “Awakenings” and who gained notoriety for his book, The Man Who Mistook His Wife for a Hat, a collection of unusual cases of mental and emotional issues.  He is, as his website puts it, “physician, a best-selling author, and professor of neurology and psychiatry at the Columbia University Medical Center,” even being named the first Columbia University artist forhis contributions to the arts.  In his book Musicophilia, “Dr. Sacks investigates the power of music to move us, to heal and to haunt us.”

In his “Music and Memory Project,” Dr. Sacks collected and investigates the power of music on memory.  It is tempting, and I have even said this sometimes myself in thinking about identity, that when memory goes, so does our sense of identity and self.  Who am I when I can’t remember any more.  So often in my vocation I hear people say, “Mom left us long ago.”  In Alzheimer’s disease and related disorders, an individual descends into a solitary cocoon of long-term memories, and then finally into silence before death.  Where did what we knew as “the person” go?

A friend recently shared a very moving video posted on YouTube of Sacks’ project.   CLICK HERE TO VIEW    It is a remarkable record of a man named who has debilitating case of Parkinson’s disease which rendered him inert and lifeless most of the time.  They learned from his family about some of his favorite music from Cab Calloway and others early in his life and put it on an MP3 player and put on the ear phones.  The transformation is remarkable.  He is alive again, eyes bright and he begins to move to the rhythm and sing along.  A glow of life continues after the music is taken away.

He says, at the end, “The Lord…gave me these sounds.”  There is something remembered in our bodies, our minds, our selves, deep and irreplaceable.  Human beings and the earth God made are sacred, all of it.  We should treat it that way. Continue reading “The Songs Remember When: Part I”