Last evening, we kicked off our series, “The Callings That Find Us,” with Dr. Danny Potts. An overflow crowd filled the room and was not disappointed as he shared his personal journey with brokenness and new life through his father’s long battle with Alzheimer’s disease. It was inspiring and so helpful to all who were there.
Next Wednesday we welcome folksinger Kate Campbell. Kate is a favorite singer-songwriter for many. She is a storyteller and singer with a unique voice that blends faith, justice and humanity in her writing and singing. Growing up in the south as the daughter of a Baptist preacher, Kate’s formative years were spent in the very core of the Civil Rights Movement of the 1960’s, and those years left a mark on her.
Her Two Nights in Texas CD received the prestigious Mississippi Institute of Arts & Letters Award. Ballet Memphis featured several tunes from her song catalog as well as a live performance by Kate and band at a ballet entitled South Of Everywhere. Three of Kate’s songs (“Ave Maria Grotto,” “William’s Vision,” and “Fordlandia”) were recently featured in documentary films. A variety of artists have recorded Campbell’s songs including Laurie Lewis, Missy Raines, Ronnie McDowell, and the Nashville Bluegrass Band who covered her compelling snake-handling song “Signs Following.”
Campbell has played the prestigious Cambridge Folk Festival (England), Merlefest, Philadelphia Folk Festival, and Port Fairy Folk Festival (Australia), been featured on National Public Radio’s Morning Edition, All Things Considered, Live From Mountain Stage, and had her story (and haunting song “When Panthers Roamed In Arkansas”) included in the debut issue of The Oxford American’s ultra-hip Southern Music series. Kate’s latest release Damn Sure Blue, a heart-felt collection of tunes that pays a respectful nod of admiration to the Man in Black and reverberates with the soulful sounds of award-winning Americana guitar whiz and producer Will Kimbrough.
Kate lives in Nashville with her husband, Ira, a minister a
Today I am beginning a series of blogs about songs, more specifically songs I have written. I want to write a little about their “births,” as for me, songs are like children, or at least like the ugly ash tray I made out of clay at camp. They are mine, they mean something to me, and I still love singing them. Today, I’ll start with the first cut on my new album, “Down in Bethlehem.” I actually came up with the idea while writing a sermon, I guess it was during Advent of 2015. It’s a bit weird, really, to think of a third of humanity gathering every week to reflect on a two thousand year old set of texts, but in a time when we obsess over the latest thing, it’s a little comforting to me that we can mull over the same writing again and again, and like some prism being slowly turned in daylight, new colors of insight come.
I was struck by the commonality of the major stories about Bethlehem, that of Ruth, a Moabite widow who came as a foreigner immigrating back to her husband’s home’ David, the youngest of eight, who was selected by the prophet Samuel to replace Saul as king, and Jesus, born to a young couple shrouded in unimportance. Again and again, in the Bible, God “chooses” to work with the “Most Likely Not to Be Chosen.” First I wrote a short poem to use in the sermon, then was haunted by it until this song came.
I was thinking about U2, Springsteen, music that is simple, driving, repetitive and building over time. Brent Warren does some really fine electric guitar work on this cut. Take a listen and enjoy! BUY or listen to it here. It still is true, I believe, that hope is a powerful and inexplicable reality, one that rises up unexpectedly and in the most unpromising of moments. That is when I suspect God might be up to something. (see Ruth, 1 Samuel 16, Matthew 2 for the stories behind the song). I’ve posted the whole song on my website for a week or so. https://www.reverbnation.com/garyfurrmusic