Start Young

If you don’t know who Ricky Skaggs is, then you really don’t know anything about bluegrass and old-time music. It’s important to distinguish those two terms. “Bluegrass” technically didn’t exist before the 1940s. It was literally invented as a form by Bill Monroe, recasting the traditional old time music of his Kentucky and Appalachian roots with a new sound built around his unique mandolin playing. The mandolin took a new role as a centerpiece performing lead instrument inMonroe’s vision. He was truly a unique American music phenomenon. Monroe inspired an entire generation of musicians and his influence lives on in … Continue reading Start Young

Farewell, Earl Scruggs, and Thank You

1964, on top of the world, with Lester Flatt

Earl Scruggs, “pioneer” as the Huffington Post put it,  of the Three-finger Banjo style, has died.  For some of us, he has been a mentor and inspiration our whole lives.   He was not merely a pioneer, he was the King.  And there are many legends on the banjo–Bela Fleck, Ralph Stanley, Jens Kruger, Don Reno, J. D. Crowe, and many greats.  But no one like Earl.

As a displaced North Carolina boy moving around the country, my Dad kept me connected to music.  He had a Silvertone electric guitar from Sears and a Harmony archtop acoustic guitar.  The electric would shock you if you played in bare feet on the garage floor so I tended to play the acoustic.  I didn’t know much about Earl Scruggs, but I kept running into him over the years.

When we moved to Irving, Texas in the late Sixties, I learned to play very slow rhythm guitar to a very slow “Foggy Mountain Breakdown” and “The Ballad of Jed Clampett” (LISTEN) with my seventh grade friend,  Brad Phillips, who was the odd combination of a banjo playing Episcopalian. Continue reading “Farewell, Earl Scruggs, and Thank You”