Tom Dooley

Some years back Vickie and I vacationed near Boone, NC, home of Doc Watson. We stayed in a place with a view of Grandfather Mountain and traipsed around in the Smokies for a week. It was great. We ventured over to Wilkesboro, NC where the events remembered in the old murder ballad “Tom Dooley” happened. There are many versions of the story and many versions of the song, but here is a more traditional one I recorded a few years ago more in the style of Doc.

Read a most interesting piece on the migration of lowland Scottish people to Appalachia via a stay and invitation to leave Ireland for the new world. Fortunately they brought their music with them and a century later, thanks to their geographical isolation, they had preserved it almost without alteration. Because they were from the lowlands of Scotland, they emphasized the fiddle rather than bagpipes, for which we may be grateful. The highland pipes are wonderful, but you can’t listen to a two hour concert of them. They’re like the accordian–better confined to Lawrence Welk reruns or background. (Yes, I know the old definition of perfect pitch–you through the banjo into the dumpster without touching the sides and it lands on an accordion).

At any rate, these fierce, independent mountain people of the South were hard working, resentful of interference and suspicious of outsiders. And occasionally murderous. Wilkesboro was the capital of the moonshine runners who eventually took their souped up cars and started NASCAR. “Family Feud” was not a television show. It was a matter of honor and violence.

Thank goodness the territorial domination of men over women is no longer the same among intelligent people, but the song is a memory of a time when things were a certain way and shame was powerful. You may have heard the Kingston Trio’s version or any of a hundred folkies in the Sixties. I was attracted to that version when I started playing, but I like this one better.

In Wilkesboro they put on an outdoor drama every summer of the story of Tom Dooley and the murder of poor Laurie Foster. It starts with a Civil War re-eneactment, allowing the men and boys to shoot off blanks for way too long with almost no relevance to the story advancement, but it’s great fun. We waited out a downpour to see it, and had a great time. It’s a sad story and justice was severe in those days, but at least there were concessions. It’s worth a see. Take some earplugs.

Maybe it’s true what Elie Wiesel told us–to forget our sins is as great a transgression as to have committed them in the first place. Remembering and grieving are essential to healing.

A Guitar for Christmas

I have a modest guitar collection if you compare to some. Each instrument I have and play, though, is as unique as a child. Each has its own “voice,” and no two instruments are exactly alike, even if they are identical models. Each piece of wood sounds a little different from all the others. You learn this if you are a serious player.

Instruments have their oddities, too. Sometimes, tuning is not precisely right on every fret, or the “feel” of the instrument varies. Some applies to guitars, violins, banjos, mandolins, any instrument of wood and wire. This eccentricity, like that of human voices, is a source of delight, not frustration. The reason I generally hate a lot of electronically created music is the sameness of it.

Human voices are like that. I like gravely voices, deep voices, angelically soft voices, and raspy voices. Each voice expresses who that human being is, at least in part.

My very first guitar of my own was a Yamaha FG-230 Twelve String guitar.  My parents got if for me for Christmas of 1971, I think. I had started playing music with two great friends who were musicians.

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With Woody and Paul, Christmas 1971. Instead of new sweaters.

Both would go on to professional music careers, one still in it. My friend Woody had a Hoffner bass like Paul McCartney played in the early Beatles’ music, but that year got a Fender Jazz bass.  Paul, who already played a Fender Telecaster like a pro by age 17, got a Yamaha six string the same Christmas. We both loved old country music and bluegrass. Paul introduced me to everything else in the world–he liked all kinds of things, from Grand Funk Railroad to Dillard and Clark to the Incredible String Band.

We were writing songs and Continue reading A Guitar for Christmas

Someplace Green

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Looking out from my office desk, to someplace green.

My friend Pat Terry is one of my favorite singer-songwriters, ever.  After a long and successful career in contemporary Christian music, he widened his vision and writing. A successful career in country music as a writer followed, with plenty of hits. He just came out with his latest CD, “How Hard It Is to Fly,” and it’s another great batch of songs.  One of my newest favorites, “Clean Starched Sheets” is on this one.

Pat’s heart has always been as a storytelling songwriter.  I have been in a couple of his workshops, and he is a master craftsman. I’ve performed with him a time or two here in Birmingham, and I’ve gone more than once to hear him sing. His songs are deeply human.  One of my favorites and one of the first I ever heard him perform (while opening for Earl Scruggs!) was “Someplace Green.” It sends me to visions of Eden.

Back in my hometown, everything’s green,

green grass, green leaves, green peaches on the trees in spring. Continue reading Someplace Green

Pastor to An Aspiring Idol

Even churches, it seems, have their fifteen minutes in the social media world of fame. Through the years, that usually comes from outstanding accomplishments by our dcc11b02-024a-44ad-8d38-d692770fbac3-150660_2251members who do something that ends up on the bulletin board.  In my present congregation, having been here nearly 26 years, you eventually get a little reflection of the wonderful things your members undertake, and they are many.  We have graduated people who became ministers, doctors, attorneys, and we claim eminent Baptist historian and advocate for the poor Dr. Wayne Flynt as a former member who was here in his Samford days.  We currently have the Alabama Crimson Tide stadium announcer, Tony Giles, as a member, and in Alabama that accords near divine status for half of the church. One of our oldest members, Bobbye Weaver, was a renowned jazz drummer who played with Lawrence Welk and a host of other eminent people.  One of our late members once danced with Betty Grable and worked on the Apollo space program.  I could go on.  But every church has its luminaries.

What does this “reflected glory” mean for the pastor?  Not much.  For if we take too much credit for the rich and famous, we also must own the other side of our membership.  Let’s not go there.  Give credit where it is due—their families, but more importantly, God, who is the giver of all good gifts.

So, our church is currently agog over Walker Burroughs, who is in the final eight of American Idol.  Walker has been a member of our church most of his young twenty Continue reading Pastor to An Aspiring Idol

The Callings That Find Us: Lenten Speaker Series

PR LentIn March, our church will welcome a special Lenten time of renewal with a series of Wednesday night speakers entitled, “The Callings That Find Us.”  Our speakers share Christian faith but come from a variety of backgrounds and stories to share their faith journeys—how they

came to Christian faith, how that has lived out, and the unexpected turns that have taken them to new places in their discipleship.  What is the calling that ”found you” along the way of following Christ in that journey?  This series will be open to the public as well and you are encouraged to invite friends to come and hear an exciting series of presentations.

March 13, 2019       

“The Faces That Change Us: A Neurologist’s Experience With Dementia”

Dr. Daniel Potts

Dr. Daniel Potts  is a neurologist, author, educator, and champion of those living with Alzheimer’s disease and other dementias and their care partners. Selected by the American Academy of Neurology as the 2008 Donald M. Palatucci Advocate of the Year, he also has been designated an Architect of Change by Maria Shriver. Inspired by his father’s transformation from saw miller to watercolor artist in the throes of dementia through person-centered care and the expressive arts, Dr. Potts seeks to make these therapies more widely available through his foundation, Cognitive Dynamics. Additionally, he is passionate about promoting self-preservation and dignity for all persons with cognitive impairment. He lives with his wife and two daughters in Tuscaloosa, Alabama.

March 20, 2019          “Wonders Along the Way”                   Kate Campbell 

 Singer/Songwriter Kate Campbell has since put together a considerable body of work. Originally from the Mississippi Delta and the daughter of a Baptist preacher, Kate’s formative years were spent in the very core of the Civil Rights Movement of the 1960’s, and the indelible experiences of those years have shaped her heart and character as well as her songwriting. Her music and songs continue to inspire and excite a growing and engaged audience. A variety of artists have recorded Campbell’s songs and she has performed widely, including at the prestigious Cambridge Folk Festival (England), Merlefest, Philadelphia Folk Festival, and on National Public Radio’s Morning Edition, All Things Considered, Live From Mountain Stage. Kate lives in Nashville with her husband, Ira, a minister and chaplain.

April 3, 2019         

“Ending Hunger:  A Redeemed Hope for Feeding the World”    Dr. Jenny Dyer               

Dr. Jenny Dyer is the Founder of The 2030 Collaborative. As such, she directs the Faith-Based Coalition for Healthy Mothers and Children Worldwide with support from the Bill & Melinda Gates Foundation and the Faith-Based Coalition for Global Nutrition with support from the Eleanor Crook Foundation.  Dyer teaches Global Health Politics and Policy as a Lecturer in the Department of Health Policy at Vanderbilt School of Medicine, and she has taught Religion and Global Health at Vanderbilt School of Divinity.  Dyer formerly worked with Bono’s ONE Campaign, Bono’s organization, from 2003-2008 to promote awareness and advocacy for extreme poverty and global AIDS issues.  She is an author and frequent contributor in the media. She lives in Franklin, Tennessee with her husband, John, and two boys, Rhys and Oliver.

April 10, 2019                        “Closing the Distance”    Dan Haseltine

Dan Haseltine is the Lead singer/Primary songwriter for the 3x GRAMMY™ winning band, Jars of Clay.  Dan has written 17 #1 radio singles, received multiple BMI Song of the Year Awards, and National Songwriting Association’s highest honors. He is a Producer, Film/Television composer, and Music Supervisor.  Dan is the Founder of non-profit organization, Blood:Water, celebrating 15 years of supporting local solutions to the clean water and HIV/AIDS crises in Southern and Eastern Africa.  Blood:Water has helped more than 1 million people gain access to clean water, sanitation, hygiene training and community health support.  Dan lives in Franklin, TN with his wife, Katie and 2 sons, Noah(18), and Max(15) and two dogs… Gracie and Coco.  Dan is also a columnist, advocate, and thought leader surrounding the work of extreme poverty reduction, and international development