I have a modest guitar collection if you compare to some. Each instrument I have and play, though, is as unique as a child. Each has its own “voice,” and no two instruments are exactly alike, even if they are identical models. Each piece of wood sounds a little different from all the others. You learn this if you are a serious player.
Instruments have their oddities, too. Sometimes, tuning is not precisely right on every fret, or the “feel” of the instrument varies. Some applies to guitars, violins, banjos, mandolins, any instrument of wood and wire. This eccentricity, like that of human voices, is a source of delight, not frustration. The reason I generally hate a lot of electronically created music is the sameness of it.
Human voices are like that. I like gravely voices, deep voices, angelically soft voices, and raspy voices. Each voice expresses who that human being is, at least in part.
My very first guitar of my own was a Yamaha FG-230 Twelve String guitar. My parents got if for me for Christmas of 1971, I think. I had started playing music with two great friends who were musicians.
Both would go on to professional music careers, one still in it. My friend Woody had a Hoffner bass like Paul McCartney played in the early Beatles’ music, but that year got a Fender Jazz bass. Paul, who already played a Fender Telecaster like a pro by age 17, got a Yamaha six string the same Christmas. We both loved old country music and bluegrass. Paul introduced me to everything else in the world–he liked all kinds of things, from Grand Funk Railroad to Dillard and Clark to the Incredible String Band.
We were writing songs and Continue reading “A Guitar for Christmas”
members who do something that ends up on the bulletin board. In my present congregation, having been here nearly 26 years, you eventually get a little reflection of the wonderful things your members undertake, and they are many. We have graduated people who became ministers, doctors, attorneys, and we claim eminent Baptist historian and advocate for the poor Dr. Wayne Flynt as a former member who was here in his Samford days. We currently have the Alabama Crimson Tide stadium announcer, Tony Giles, as a member, and in Alabama that accords near divine status for half of the church. One of our oldest members, Bobbye Weaver, was a renowned jazz drummer who played with Lawrence Welk and a host of other eminent people. One of our late members once danced with Betty Grable and worked on the Apollo space program. I could go on. But every church has its luminaries.
In March, our chur
struck down, but not destroyed; Afflicted but not crushed.”
