Rachel Held Evans’ Questions

Rachel-held-evansThe passing of Rachel Held Evans unleashed a surprising wave of grief to some.  But to readers in the Christian world, and young women in particular, she was a voice of welcoming honesty.  In an October 2012 article in Christianity Today called, “50 Women You Should Know,” Katelyn  Beaty said of Rachel Held Evans that her blog, which began in 2007, spoke out on many traditional evangelical issues in a fresh and fearless way.  Evans, she quoted, wrote that young Christians “aren’t looking for a faith that provides all the answers.  We’re looking for one in which we are free to ask the questions.”

It was intense questioning that led her to start writing in the first place.  In 2012 alone, 1.2 million visitors went to her site to hear what she had to say.  She was speaking for many others, giving voice to many who were needing one. To a church (in the largest sense) that is always, at least institutionally, last to respond to change, she pushed to make it look at its truth and heart and reassess what it was Jesus meant us to do. Continue reading “Rachel Held Evans’ Questions”

Reality

Someone asked me for this short paragraph from my sermon yesterday. I thought I might as well share it with you all, for what it’s worth. I was focused on the 23rd chapter of Jeremiah, which speaks of the challenges of leadership and the power of the Living God to help us.  I said, toward the end, these words:

“There is always hope, but it never comes without cost or pain or struggle. There is always a future, but never at the expense of our past. There is always Presence, but it is not always comforting and pleasant. There is always a way forward but it is never found by evasion or running away from the hard places.”

Chesterton
G. K. Chesterton

They are my words, not a quote. They come from my experience of life, both the good and the disappointing parts of myself I’ve known. I hope they help you. Two other great quotes I used:

I heard an ad executive on Ted Talks say this:  “Poetry makes new things familiar and familiar things new.”

And this one from G. K. Chesterton,  The Everlasting Man  “Christendom has had a series of revolutions and in each one of them Christianity has died. Christianity has died many times and risen again; for it had a God who knew the way out of the grave.”  Don’t worry so much when things get torn up.

Or, as Leonard Cohen said in his wonderful lyric, “Anthem,”

Ring the bells (ring the bells) that still can ring
Forget your perfect offering
There is a crack in everything (there is a crack in everything)
That’s how the light gets in

Leonard Cohen

BREXIT and the Flopidemic of Slurrds

The Brexit vote in the UK set off a global panic. In part, because we assumed that people in England, if not the rest of the United Kingdom, would always think about a decision and be sensible. They would never vote without knowing what the implications of that issue might be. Apparently, we’ve been wrong.

The first problem is the word “Brexit.” It’s a combination word, and I think that is why Europe is coming apart. We are not using enough words now. Words were a way, in the olden times, like the 1990s, to actually describe something in detail and debate it. Think of the most powerful places to communicate now—non-existent “platforms” named, ironically, “Twitter,” “Instagram,” “Facebook” and “YouTube.” Four major media with only 27 letters total between them. We don’t use enough letters and words anymore.

The Brexit, we are told, has great impact for the POTUS election and thereby SCOTUS appointments. And I don’t really know what I just said.

Because we now use pictures instead of words—after all a picture is worth a thousand, so 20 pix is 20K, right? The core problem is the flopendemic of Slurrds (for old people, this means, “a flood and epidemic of slurring words together.” Get with it, Geriatrics).   Brexit is the chief example. Brexit sounds like a breakfast cereal. When I went to England years ago, there was a cereal called, “Wheatabix.” I am sure confused many voters. “Exit from cereal? Continue reading “BREXIT and the Flopidemic of Slurrds”

Call and Response: Excerpt from Poems, Prayers and Unfinished Promises

In December, Mossy Creek Press released my new book, Poems, Prayers and Unfinished Promises.  I have been so gratified by the readers’ enthusiastic responses.  From time to time, I want to share a few excerpts with readers.  Since we are in the Lenten Season, I share this prayer, found on page 48:

A Prayer for the Beginning of Lent

Based on Psalm 42:8-11COVER PIC jpg

As a Baptist kid in the South, I had never heard of Lent, but I understood “call and response” instinctively. Someone sings and you sing back to them. In southern gospel, it was often something the basses and altos did, little descants under the melody, like a man and woman when they really speak and hear each other’s hearts. That’s the Lenten journey to me—get quiet, listen and when you finally pick up the song, sing back. You really have to train your ear to hear it.

“By day the LORD commands his steadfast love and at night his song is with me, a prayer to the God of my life. I say to God, my rock, “Why have you forgotten me? Why must I walk about mournfully because the enemy oppresses me?” As with a deadly wound in my body, my adversaries taunt me, while they say to me continually, “Where is your God?” Why are you cast down, O my soul and why are you disquieted within me? Hope in God; for I shall again praise him, my help and my God.”  Psalm 42:8-11 NRSV

 

Continue reading “Call and Response: Excerpt from Poems, Prayers and Unfinished Promises”

“The Man I Didn’t Kill” and Paying Attention

In 2008 I wrote a song called “The Man I Didn’t Kill.”  The story of the song is pretty simple in a way.  I get song ideas all the time just from observations of life.  I never mind a drive to the hospital or the million other tasks I have to do in my work as a minister.  It is an ocean of songwriting material, because it’s simply life experience.  I really admire the great songwriters who live in Nashville, sit in an office all day and crank out lyrics.  I’m not sure I’m that imaginative.

Gary Nancy Greg

My ideas come from life.  I walk through, listening to people in trouble, solving problems, managing a congregation, dealing with budgets, praying for the sick.  All along, though, the artist in my brain tries to pay attention.  I’m not looking for songs, but I’m paying attention for things that interest me. Kate Campbell talked a lot about being curious—noting things you care about and trying to understand why.

So songs, or at least ideas, pop up everywhere.  Back about 2008 or 2009, I wrote a song that ended up on my cd “Overload of Bad News Blues.”  It’s called, “The Man I Didn’t Kill.”  It came from a close call.  One day a pedestrian walked out in front of me without looking.  I was watching him, so I hit the breaks and, for the first time, he saw me.  Small bit of life. Continue reading ““The Man I Didn’t Kill” and Paying Attention”

The Artist and the Editor

There is a time for the Artist and a time for the Editor

The Editor worries about the audience, sales and attracting attention to the finished product

The Artist tries to listen to the deep, deep truth within, unfiltered and unfettered

The Editor wants it to be the best it can be and to have a chance to be heard.

The Artist wants the work to be true to what it was the first time she heard it

The Editor is outside the Artists heart and mind and often doesn’t “get” the artist’s vision

The Artist cannot leave himself and struggles to know how it will connect to others and sometimes what makes sense to the Artist doesn’t make sense to anyone else

The Editor is finally responsible to the publisher and the audience

The Artist is finally responsible to his Judge and Maker and himself and his art

The Editor respects the artist, may even be one herself, so it is not about bad and good.

The Artist respects the Editor, and understands that it is not just about money or pleasing others.  It is also about belonging to the community and the world and being heard

Sometimes they clash and tears are shed.

The Artist’s matters of conscience can turn into stubbornness and pride

The Editor’s insistence on practicality, marketability and being liked by large numbers of people can mask a desire to please and the willingness to sacrifice integrity for success.  They both labor with the burden of ego and control.

They always have to talk and pray about it and listen to each other for the best thing to happen, even when the Editor and the author live inside one person.

Finding Your Voice

Gary Furr

It’s become a cliche only because it is so powerful and pervasive.  Your “voice,” I once heard songwriter Pat Terry say, is what makes people say, “That’s a Gary Furr song” or “that’s a (your name here) story.’  I have thought about this for thirty years, focused when I once, during a five day solitary retreat started to say a short prayer I had been using to center myself and blurted out, “Father, help me to be myself.

If that sounds so very self-centered in our culture already so “you-can-be-whatever-you-want-to-be,” permit me to observe that despite our coaching of selves and self-focus I sure meet a lot of broken ones out there in life.  People wounded and held back by a voice in their head:  “you’ll never amount to anything,” and somettimes not even traumatic voices–just ones we imbibe from our world.  “So many people are better than you.  What do you have to offer?  What’s the point?” Continue reading “Finding Your Voice”