It Came Upon a Midnight Clear

I confess, I have now been part of a ukelele flash mob, back when mobbing was not a public health crisis. But enough of that.

Every year, the curmudgeons, musicians all, who inhabit the couch and chairs at Fretted Instruments of Homewood, contribute tracks for a Christmas CD that is given away. This is one I did a few years ago–ukelele, mandolin, dobro and guitar played by yours truly. Oh, and banjo, just for good measure. Merry Christmas!

“It Came Upon a Midnight Clear” was penned by Edmund Sears. Sears was a divinity graduate of Harvard and became a Unitarian pastor who “preached the divinity of Christ” according to Dr. Michael Hawn, a church musician and scholar of hymnody. By age 37 poor health forced Sears to give up pastoral work and he spent the rest of his career in publishing and writing.

According to Dr. Hawn,

Sears’ context was the social strife that plagued the country as the Civil War approached. This hymn comes from a Boston publication, Christian Register, published on Dec. 29, 1849. The original stanza three, missing from our hymnals, sheds light on the poet’s concerns about the social situation in the U.S. in the mid-19th century:

“But with the woes of sin and strife
The world has suffered long;
Beneath the angel-strain have rolled
Two thousand years of wrong;
And man, at war with man, hears not
The love-song, which they bring:
O hush the noise, ye men of strife,
And hear the angels sing!”

Michael Hawn, “History of Hymns: ‘It Came Upon a Midnight Clear.’”

Thinking of this hymn in this way makes us hear the final two verses very differently. In the third verse we know in present versions, humanity, bent low under the crushing loads of our insanity and wars, do not yet know the hope that God sent forth in Jesus. They (we) are exhausted and nearly hopeless. Hear the words repeating through that verse: toil, climbing, painful steps, weary. The world is a heavy place. The angelic singing comes as a musical respite, notes of hope in the night.

Early Bethlehem was not much better. I wrote about this in another song on my last CD, “Down in Bethlehem.” There is a realism about the human condition in the gospels that we do not pay much attention to in the prosperous West, at least not until lately. The multiple burdens of the year 2020 and a world in pandemic lead us back to this hymn in a new way, don’t you think? Now, we too yearn for the fulfillment of that birth,

when peace shall over all the earth 
its ancient splendors fling, 
and the whole world send back the song 
which now the angels sing.

Now it becomes a prayer, a troubled thought in the night. We are not the first people in history to toss and turn in the night.

Holiday Songs

Mark and I are finished with our album. I’ll post the release this week upcoming. One of the songs on it is a recent composition entitled, “Hope to Be Together.” It’s about Thanksgiving, but the mood and message reflected this unusual moment we are sharing–pandemic, separation, isolation and disconnection.

I will be releasing holiday and Christmas music over the coming days and weeks. After a bruising election, pandemic, global grief and sadness and economic hardships, it is not a bad idea to sing (even if we can’t do it together)!

This first one was part of a soundtrack I produced for an indie film by my former bandmate Greg Womble entitled “Visitor to Virgin Pines.” It’s a story about faith, failure and separation and the hope of reconnection with one another, a perennial prayer of Christmas, I think. It was a great short film. This particular song occurs as background to a section in the center of the film when the mother is telling her story. I did all of the music for the movie, and it was a new undertaking for me. I thoroughly enjoyed it. My bandmate, Melanie Rodgers, played the violin with me on the opening music.

From Here to Okay

This song speaks for itself. It came to me during the summer. The hook was a quote from a news story at a disaster scene, but my mind was on people I loved and knew who lost children. Their stories are the most courageous I have ever met. That they still have any faith at all after such losses is perhaps the closest to real miracles we ever see.

It’s such a long, hard road. In my vocation I traipse alongside unimaginable losses, but children are the hardest from my perspective. It is the loss of love so intense, the loss so against our DNA, that a person’s world is shattered. But they keep going, somehow.

This is on our forthcoming new album. This particular track features my friend since high school, Paul Harmon, a phenomenal musician from the Boston area, along with fiddle work by Mark Weldon.

From Here to Okay
Gary Allison Furr

1. I was telling my favorite story when I heard a knocking sound
It was my neighbor. He said, “You’d best sit down”
I never finished that story. I’ll never tell it again.`
The clock on the wall said 7:10.

2. I’m lost and so angry. She’s just sad all the time,
The shadows go with us everywhere.
Now and then for a while we still act like we used to,
But we still can’t move that empty chair.

CHORUS:
It’ll be a long time ’til we put it behind us
Just sit with me. There’s nothing to say.
Walk with me a while in the valley of grey
It’s a long way from here to okay

So thank you so kindly for asking about us
And for the fine food that you brought
But please take back home the reassuring words you offered,
It’s not easy answers I’ve sought

Some cope with a bottle, and others with a pill,
Some sit in a circle and pray for God’s will,
But nothing on earth fills the hole left inside
By a love that was once so alive.

CHORUS:
It’ll be a long time ’til we put it behind us
Just sit with me. There’s nothing to say.
Walk with me a while in the valley of grey
It’s a long way from here to okay

credits

released November 18, 2020
lyrics and music by Gary Allison Furr BMI all rights reserved.

Gary Allison Furr-vocals, guitar
Mark Weldon—violin
Paul Harmon—electric guitar, piano, percussion, bass, drums