Think Globally Listen Locally

Corporations are not necessarily evil in and of themselves, but the net effect can be the disappearance of everything that makes the place where you live distinctive. Got a notice from my friend Steve Norris that our friend Dale Short put us on his “Music From Home” radio program yesterday.  (LISTEN) (SMA is on the first program) Thanks, Dale!  “Music From Home” is local artists.  I appreciate that there are still programs here and there in a world in which globalized corporate mass culture (which is short for “controlled by a few people who are not always interested in the … Continue reading Think Globally Listen Locally

Doc, Doug and Earl…Bluegrass Goodbyes

A few days ago, I wrote about the too-soon loss of Doug Dillard, an extraordinary banjo player who was a bridge figure between Bill Monroe and the “pure bluegrass” (which is itself an irony, since Monroe was actually an innovator himself.  He took a hodgepodge of what is ssometimes called “old time music,” consisting of fiddle tunes for dancing, old folk tunes, blues and other music that flowed from Appalachia and the south and forged a unique sound dominated by the mandolin and banjo and fiddle.  He was not beyond experimenting himself, even bringing an accordion in a time or … Continue reading Doc, Doug and Earl…Bluegrass Goodbyes

Doug, Doc and Earl…Bluegrass Breakdown and Cry

The Darling Boys are no more This has been one of the unkindest of years in acoustic music.  First, Earl Scruggs, the Founding Father of bluegrass banjo, passed away (read my post on Earl’s death here CLICK)  back in March.  Then a few weeks ago, Doug Dillard, a rollicking banjo player who blazed a trail with the banjo across genres in the 1970s when he left the Dillards to join Gene Clark of the Byrds to form Dillard and Clark. Of course, you’d know old Doug for another reason, if you ever watched the Andy Griffith Show.  He was the … Continue reading Doug, Doc and Earl…Bluegrass Breakdown and Cry

The Songs Remember When: Part I

“The Lord…gave me these sounds.” 

Oliver Sacks is a British-born neurologist whose maverick investigations inspired the Academy-Award winning movie, “Awakenings” and who gained notoriety for his book, The Man Who Mistook His Wife for a Hat, a collection of unusual cases of mental and emotional issues.  He is, as his website puts it, “physician, a best-selling author, and professor of neurology and psychiatry at the Columbia University Medical Center,” even being named the first Columbia University artist forhis contributions to the arts.  In his book Musicophilia, “Dr. Sacks investigates the power of music to move us, to heal and to haunt us.”

In his “Music and Memory Project,” Dr. Sacks collected and investigates the power of music on memory.  It is tempting, and I have even said this sometimes myself in thinking about identity, that when memory goes, so does our sense of identity and self.  Who am I when I can’t remember any more.  So often in my vocation I hear people say, “Mom left us long ago.”  In Alzheimer’s disease and related disorders, an individual descends into a solitary cocoon of long-term memories, and then finally into silence before death.  Where did what we knew as “the person” go?

A friend recently shared a very moving video posted on YouTube of Sacks’ project.   CLICK HERE TO VIEW    It is a remarkable record of a man named who has debilitating case of Parkinson’s disease which rendered him inert and lifeless most of the time.  They learned from his family about some of his favorite music from Cab Calloway and others early in his life and put it on an MP3 player and put on the ear phones.  The transformation is remarkable.  He is alive again, eyes bright and he begins to move to the rhythm and sing along.  A glow of life continues after the music is taken away.

He says, at the end, “The Lord…gave me these sounds.”  There is something remembered in our bodies, our minds, our selves, deep and irreplaceable.  Human beings and the earth God made are sacred, all of it.  We should treat it that way. Continue reading “The Songs Remember When: Part I”

The Artist and the Editor

There is a time for the Artist and a time for the Editor The Editor worries about the audience, sales and attracting attention to the finished product The Artist tries to listen to the deep, deep truth within, unfiltered and unfettered The Editor wants it to be the best it can be and to have a chance to be heard. The Artist wants the work to be true to what it was the first time she heard it The Editor is outside the Artists heart and mind and often doesn’t “get” the artist’s vision The Artist cannot leave himself and … Continue reading The Artist and the Editor