“J——, this is your pastor. Now having heard your
confession on the air, will you stop by to receive
penance instructions about being a better father and husband?”
It’s just too easy to weigh in on the comments of Mike Francesca and Boomer Esiason about Daniel Murphy’s decision to take two days to be present for his baby’s birth.
Of course, we live in a time of sportainment. More and more, as politics becomes hopelessly unresponsive and global problems impinge on every part fo life, sportainment is the way we escape–from real life. Except that ultimately isn’t an option.
One day I listened in on sports radio–I admit, it’s a guilty pleasure on the way to the hospital or a meeting, in part because I will always laugh at something pretentious, silly or absurd. And much of what is discussed is fun to consider. A husband caller complained to Paul Finebaum about a player’s tweet after Alabama lost its bowl game that “it’s only a game.” His argument was that it isn’t. He went on, passionately, to say that though he was a member of a church and loved his family, that during the football season he spends more time and money on the sport than on his wife and kids or his church.
My jaw dropped since I am a minister, but why should it? I like to imagine that I might follow up crazy calls. What would I say? Disguised voice: “This is Dr. Hapner Wogwillow. I am a marriage therapist. I treat his wife for depression and recognized him in the call. He needs to go home. She just left for good with the kids. I will tell him their names if he’ll call me. BR-549.” My other idea was to, “J——, this is your pastor. Now having heard your confession, will you stop by to receive penance instructions about being a better father and husband?” Read the rest of this entry
The Darling Boys are no more
This has been one of the unkindest of years in acoustic music. First, Earl Scruggs, the Founding Father of bluegrass banjo, passed away (read my post on Earl’s death here CLICK) back in March. Then a few weeks ago, Doug Dillard, a rollicking banjo player who blazed a trail with the banjo across genres in the 1970s when he left the Dillards to join Gene Clark of the Byrds to form Dillard and Clark.
Of course, you’d know old Doug for another reason, if you ever watched the Andy Griffith Show. He was the poker-faced Darlin’ Brother in the family band that descended like an affectionate blight on Andy and Mayberry every
now and then, always intermixing their superstition and hijinx drama with some red-hot bluegrass while Paw (Denver Pyle) came along on the jug.
In fact, the Darlin’ Family were a rising bluegrass band discovered by Andy Griffith’s producer in a nightclub in Los Angeles. At the core were two brothers, Rodney and Doug Dillard, on guitar and banjo, and joined by Mitch Jayne and Dean Webb on bass and mandolin. They hailed from Missouri and had been performing on the folk revival scene when Andy found them. They moved to LA to have greater freedom to experiment with their music and its traditions.
The first bluegrass song I played was probably “Orange Blossom Special” with my Dad and Uncle Paul Furr on the fiddle on Uncle Paul’s porch. Uncle Paul exposed me to my first outhouse, although it was a little upscale, known as a “two-holer.” The second song I met growing up was “Bowed My Head and Cried Holy,” brought to me by my friend Paul in high school, while we were playing together. I loved it right away and got the vinyl album. In our current band, we learned Dillard’s version of this very old tune early on and still do it. “Bowed My Head” was an old time tune that Bill Monroe and others did in an old time style, but Dillard and Clark did it with drums, pedal steel and Byron Berline on the fiddle. It had an energy that would influence many others. The New York Times says,
Known simply as Dillard and Clark, their group, with Mr. Dillard playing guitar and fiddle as well as banjo, recorded two albums for A&M before disbanding. The albums did not sell well but have come to be regarded as among the earliest stirrings of the West Coast country-rock movement and an important influence on the Eagles and other bands. (Bernie Leadon, a charter member of the Eagles, had also worked with Dillard and Clark.)
Doug Dillard’s playing has shown up in all our lives somewhere. According to Billboard magazine’s tribute article, “the brothers still worked together in front of the camera from time to time, being part of Harry Dean Stanton’s band in the Bette Midler film The Rose.” The Dillards toured with many performers over the years– Bob Dylan, Joan Baez, Carl Perkins, even Elton John. They left a huge influence on what would become “newgrass” and crossover music in groups like the Eagles and many others.
Doug could make a banjo sing. I read that when he first got his banjo he got his Dad to drive him to Nashville to Earl Scruggs’ house
Bluegrass banjo pioneer Earl Scruggs answered a knock at the door of his Nashville home in 1953 to find an eager-
looking banjo enthusiast on the porch asking Scruggs to put a set of his special tuner keys on the young man’s instrument. “He was so gracious,” Rodney Dillard said of the reception his older brother, banjo player Doug Dillard, received that day from the father of the bluegrass banjo. “He sold him the tuners, then sat down at his kitchen table and installed them on the spot.” (LA Times—read the story)
The fine compilation of their hits is on a single CD called THERE IS A TIME: 1963-1970. It contains all the great Darling Family songs from the show, but also a lot of the songs the Dillards did, from folk to country, old time and blended styles. You can hear Doug Dillard’s melodic licks leap from the strings.
Anyway, I especially remember another song the Dillards did that is one of our mainstays, “There is a Time.” (Listen) It is a sad, mournful, truth-telling tune about how love is weathered down and dies in time. Charlene sang it on the Griffith show and it was one of the most haunting tunes I ever heard. Andy says at the end, “Well, that’s about the purtiest thing I’ve ever heard.”
One thing is different about Doug from his Andy Griffith character, who was always poker-faccd. If you ever watch a video of Doug Dillard, he’s always smiling onstage.
Some years ago, Rodney was invited to do the song with the Dillards on the next generation of the Nitty Gritty Dirt Band’s “Will the Circle Be Unbroken Volume III.” Rodney wrote a fourth verse to add to the original three that seems somehow fitting. Originally written with Mitch Jayne, who has since passed away, he sang it in a video that I leave with you as he mentions the loss of Jayne and, perhaps, fitting to hear as we think about his brother’s passing. The new lyric says, hopefully
Time is like a river flowing
with no regrets as it moves on
Around each bend a shining morning
and all the friends we thought were gone
Rest in peace, I say once more, to another banjo legend. Thank you, Doug Dillard. The Darling Boys are no more.
Tomorrow, I’ll remember Doc Watson. Two legends deserve their own mentions.
The 24-7 news cycle has changed our lives and made even
the most meaningless information a way to waste time on the planet.
A story on the morning news recentlywas about a local election in Arizona. The Arizona Supreme Court upheld a law this week that banned a woman who could not speak English proficiently from running in a local city council race. The
point of those who sued to remove her was that a certain level of sophistication in the English language was essential to being an elected official. Who in the world came up with THAT?
The woman, who spoke in elemental English, was actually given a hearing in which she was examined for her language skills. A clip on the news showed a lawyer asking the following:
Lawyer: “And when did you go to high school?”
Woman: “In the 1980s.”
Lawyer: “And where was that at?”
Excuse me? Buddy, you just dangled a participle. My old-school English teachers would be all over you. If you can be a lawyer without proficiency in grammar, it seems reasonable that you could run for office and let the voters decide.
It is the silliest of seasons, that is, an election year. Actually, “election year” has followed the 24-7 news cycle to become a 24-7 political season. Pols immediately begin re-election campaigns the day after they get elected now. Since there are only about 18 minutes of actual newsworthy occurrences each day and the major news networks only cover about 11 of that, it leaves a lot of time to fill. Fortunately, tomfoolery and goofiness fills the void.
There are now three major forms of commentators that have evolved in this present environment. First, there are the pioneers, the radio partisans and their television counterparts.
The Wingnuts of every kind dominate here. The form is simple: you go on the air/television and talk ceaselessly to an imaginary person for hours. You would never respond to an enraged man walking down the street like this, fuming and talking to an imaginary person.. You would call 911 and report him so the state hospital could come pick him up before he hurts himself or someone else.
The second form is more sophisticated. People sit together and argue about politics in front of everyone watching. There is more value perhaps, but still, not much is left to say after, oh, about four minutes on a particular item.
C. S. Lewis said in his autobiography that his father and their friends would often sit and discuss politics. He and his brother concluded that nothing very interesting ever came of these discussions. Their real passion was the world of imagination and ideas. So at least we have politics to thank for Narnia and The Great Divorce. A great thesis for some Oxford young don: “Boredom’s Contribution to the Imaginative Work of C. S. Lewis.”
The third, of course, is comedy politics. Stephen Colbert and Jon Stewart have cornered the market here. Colbert is the more sophisticated—he pretends to be the very things he ridicules and takes it to hyperbolic excess. He exaggerates, too. One has to observe, this is too easy. Read the rest of this entry