Fiddle Tunes, Old Time, and “Jamming”

When you jam, you shoot for fun and participation, not showing off Well, the other day Nancy called me and said, “Hey, we’re going to have a jam over at the house.”  Jim Brown and his daughter are coming to play fiddle, and a couple of neighbors are coming, one plays the guitar.”  So I went.  We had a grand time. Jam sessions used to terrify my when I was still learning the “discography,” as they say.  The bluegrass, celtic, Irish, old-time and folk worlds are an oral tradition of literally thousands of songs.  Just the familiar American fiddle tunes … Continue reading Fiddle Tunes, Old Time, and “Jamming”

Pat Terry and the Eye of the Artist

 If we learn to look at life with the eyes of the artist, we

will see an entire universe that is “a gift of mercy.”

Workshop
Pat pondering how to help a workshop participants song

It’s odd that a musical preacher who writes songs, cut his teeth and got called to ministry during the Jesus Movement of the 1970s would have met Pat Terry so late in life, but that’s the way life winds sometimes.  I had heard of the Pat Terry group back when he was starting out—Pat is just a bit older than me.  I heard his songs, but my musical journey got put on hold for a long time as marriage and children and years in graduate education and pastoral ministry took me in different directions.  I continued listening to music and playing and singing, sometimes in church and mostly by myself for my own pleasure.

Pat Terry, meanwhile, was on a journey of his own, too.  After many years, first in the very spontaneous and joyful Jesus Movement musical world, and then for a while in the increasingly industry-captivated contemporary Christian musical world, he moved on.  He had a good, long run as a commercial songwriter in Nashville, with a string of songs for many well-known artists like John Anderson, Travis Tritt, Kenny Chesney, Alan Jackson, Tanya Tucker and the Oak Ridge Boys.  He learned the Nashville craft and all the while continuing his own inner journey of writing from the heart.

So it was that a few years ago, Greg Womble, my friend and bandmate who plays the banjo publicly, and I, who play it out of earshot but love it, went to Atlanta to Continue reading “Pat Terry and the Eye of the Artist”

Visitor to Virgin Pines

Scene from the movie

I have dipped my first toe into soundtrack creation for a movie.  My bandmate, Greg Womble, has written and produced a beautiful short Christmas film and is in the final edit stage of his short Christmas film, “Visitor to Virgin Pines.”

Our band was invited to do music for it, and I have to say, it is one of the most interesting undertakings I have ever done.  Mostly late at night, I sat with a banjo, guitar, mandolin, even percussion, and tried to create “moods” for scenes.  I have enormous appreciation for what people who do this face.  And yet, it is joy to do it.  I came up with some really nice instrumental stuff, not all of it chosen for the musical, but which may land in a Christmas CD.  Here’s a piece I did on the banjo called “Sugarplum Ferries” (yes, I know.  I spelled it the way I wanted to–I had the image of little boats going back and forth loaded with goodies).   “Sugarplum Ferries” Continue reading “Visitor to Virgin Pines”

Grief Work in the Basement Garden

This blog is drawn in part from some chapters I’m writing for a forthcoming book on prayer from Insight Press.  I’ll announce it when it is available for purchase on this site. Moments of sensitivity to God’s presence happen in the oddest places—foxholes, pinned in a car wreck, hospital waiting rooms, lying in bed when you can’t sleep.  People report God’s presence when life is unraveling, but also sitting on the porch on a quiet afternoon.  Holding a baby.  Counting blessings.  Waking up and drinking coffee.  Chance encounters.  Prison cells, torture rooms, earthquakes and financial ruin.  A meal with friends, … Continue reading Grief Work in the Basement Garden

Doug, Doc and Earl…Bluegrass Breakdown and Cry

The Darling Boys are no more This has been one of the unkindest of years in acoustic music.  First, Earl Scruggs, the Founding Father of bluegrass banjo, passed away (read my post on Earl’s death here CLICK)  back in March.  Then a few weeks ago, Doug Dillard, a rollicking banjo player who blazed a trail with the banjo across genres in the 1970s when he left the Dillards to join Gene Clark of the Byrds to form Dillard and Clark. Of course, you’d know old Doug for another reason, if you ever watched the Andy Griffith Show.  He was the … Continue reading Doug, Doc and Earl…Bluegrass Breakdown and Cry